Fullerton Guitar Legacy Standard Recommended Amplifiers

I use it for guitar amplifiers and home appliances - have been working great.

Using it for guitar but appears to suit small amplifiers well.

I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.

Since obtaining this microphone, I have used it to mic up two different guitar amplifiers to good effect. Overall, the sound is warm and the bass response becomes more pronounced the closer it is placed to the grille cloth. Positioning the mic around six inches away produces a more balanced and useable sound IMHO. I have yet to try this mic with a Cloudlifter, which I believe should, when used in conjunction with the Fat Head II, yield a better, hotter signal.

I use the surge protector to power my guitar amplifiers and other accessories in my home recording studio. The long power cord affords me the ability to move the surge protector around the room without hassle. Lots of outlets and slim profile. Also a major plus is the low profile/right angle plug which fits flat against the wall allowing furniture to be pushed closer to the wall.

We have never had a failure on amplifiers or processors since starting to use the Furman many years ago. The PL-8C is a standard part of all our systems.

This is an industry standard microphone for amplifiers, but it works fine for vocals too. Very well built as well. It's not one of those fancy vocal mis but it really should be the first microphone in your collection

Great improvement over my standard SM57 on guitar amps.

This device serves two functions on the hot shoe of my Sony RX10M3. It isolates the legacy strobes high voltage sync of more than 25V to a digital camera that typically cannot tolerate more than a 3V sync signal. And it also allows syncs standard studio strobes to a digital camera that normally sends out a pre-flash before the main flash. In my testing, it set off standard slave flash units correctly. Plus it provides a PC sync cord connection for legacy cords using that connection to the camera.

We are using these cables to chain amplifiers together and they work great.