Guitar Amplifier For Other Instruments

One of the best (some would say the best...) microphone in the business, particularly for vocals and lower sound level instruments (acoustic guitar, flute, etc...). Extremely sensitive, very low noise. Picks up the tiniest detail. The switchable polar pattern, integrated low cut filter and 10 dB attenuation pad means you can use them for anything in any situation, couple of switches and you are done. Just did a simultaneous recording with my Schoeps on a flute and these sounded even better, if that was at all possible. More velvet and refinment in the mid tones. You could immediately tell why they are unsurpassed on voice. If you can afford it and don't mind how large they are, this is the quintessential studio mic you need in your arsenal.

Use these for cymbals, ac. guitar, violin... rich sounding instruments. Freq response is terrific & very versatile w/ 2 pad settings, 2 rolloff settings, & 2 patterns. I love having the shockmount clips as well.

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I will be using this for recording vocals, instruments (bass, trumpet, guitar, sax) and synth (strings, piano, etc.). Having tried it on synth samples thus far, it adds a mellowing and pleasing analog feel to the recording quality. Excellent manufacturing and presentation.

The C3000 is my main mic, I use it on acustic instruments as Classical, Acustic and Portuguese Guitar,and also on Vocals and as a room mic. It sounds closer to what you hear in the room then any other mic, with a smooth top end to help you to get warm vocals.

I have a project studio and record primarily acoustic instruments (Guitar, piano, various stringed instruments, hand percussion and vocals etc) Already own a set of Neumann KM 184's and an AKG C214 Large Diaphragm but have always had a fondness for the AKG small diaphragm sound ever since I started out years ago with a Vienna made C1000 (which I still have and love). I wanted another small diaphragm option and the 451's deliver big time. To be totally non technical I would describe the AKG's sound as open and airy especially on fingerstyle acoustic guitar. I tell people think of the old Windham Hill guitar sound. (yes I know they used Neumann's too). You will not go wrong with this mic if you play acoustic music.

I use the mic for acoustic guitar, amplified instruments, lead and back up vocals. It captures them all with ease. It plugs right in and is ready to go. I'm not very experianced but even the first time I used it, in combination with a freeware recording program, I yielded desirable results. I would recomend this mic for any home studio on a budget

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.