Honda Gvc 160 Pressure Washer

Someone please tell me any other film washer better than this.

I boomed pro sound for many years using fish poles and Fisher booms. Hundreds of TV episodes and commercials, and scores of feature films. My favorite was LTM. LTM is gone, but this is the closest knockoff. Just DOUBLE WEAVE THE BANDS or it's too soft. With a Schoeps CMC preamp, Schoeps MK 41 head, Schoeps GVC variable right angle, the hanger pivoted so the mic tube was almost horizontal and the mic head GVC pivoted down, TWO LAYERS OF FOAM MOLESKIN gaffer taped to the top of the hanger itself, it gave a very small vertical profile. Many times I ran backwards down low ceiling hallways on long wide angle tracking shots, dodging C stands, light stands, and hanging practicals, slipped over the Panavision Mag with the Moleskin pad on this kind of shock mount sometimes actually touching the ceiling, and got away with it. It also perfectly handled Sennheiser 416's and Neumann KMR 81's in a normal axis bouncing at the end of a 12 foot fish pole, and hung down well from a Fisher boom using a Fisher dropdown and old Moviola rubber drive coupler. Fast swings, queues, and long in out racks, no problem. But then maybe I'm just too old school to know better.

A very pressure product exactly as I want

In stock when 160 gb was out

best 160 speed film

I plugged it in the aux jack in my old Honda, connected it to my iPhone and it works perfectly.

look, its simpple 10 feet of this is about the length of a honda accord 97' and some, idk how long you need it but its long, and its durable ...if you dont throw it in a fie pit or under dollys/cars/shoes/ etc ...also has other uses ...hooked my computer stero system to my tv ...o yea!

I bought one for my new Honda 1100 Rebel and liked it so much I bought another for my new Honda 300 LS dirt bike

For the cost of a late model Honda Civic (and about the same weight), you expect this lens to be exceptional...and it is. My primary purpose for this lens is shooting wildlife, especially birds. And after using it for a little while now, I firmly believe no other lens exists which meets its abilities. It's tack sharp at f/4 with no significant chromatic abberration along the edges of sharp contrasts in early afternoon broad daylight. Stopped down to 5.6 or 8 at dusk or dawn, you can set yourself up for truly amazing color and depth at such a distance from your subject. The first time I used it, I felt like I was taking pitcures with a small grenade launcher. But, as is the case with most Nikon products, the learning curve is steep. It becomes an almost thoughtless extension of the camera in no time... until you (carefully) carry it back to the car with a rented diesel forklift. I'm quite confident if I were to try to run over this lens with my truck, the lens would win. Handily. I've found my Wimberly gimbal and sturdy Manfrotto MT057C4 to be perfectly stable and balanced partners. And, those of you proficient in monopod use will have no problem at all with this lens.

I enjoy using it because I like the texture of Portra 160