In Ear Monitor Mix For Bass Player

I was looking for a micro amp to mix our stage monitor signal with my mic or guitar/bass -- so I could add a bit more of me in my headphones. This works great. Has both sizes of headphone jacks, a choice of mono or stereo, separate monitor and mic/instrument volume controls, and XLR in and thru for live mixing. Also has a ground lift, which can be a difference-maker when you have house line noise. I use it mostly for adding my bass to the monitor mix. Small enough to fit on my pedal board, so it just comes along with me all the time now. The only caveat: The XLR inputs are low-Z, so you'll need a DI box to connect instruments. However, that is easy to work around considering all the other benefits.

My bass player is happy with the new stand.

Having been a loyal user of Shockz products since 2019, particularly the AfterShockz Aeropex, I've experienced first-hand the evolution of open-ear headphone technology. My journey with Shockz has been mostly positive, but not without its quirks. With the older models, like the Aeropex, I noticed a peculiar sensation when cranking up the volume - a tickling feeling at the contact points that was sometimes distracting. Additionally, as someone who appreciates a rich audio experience, the bass in these earlier models left me wanting more. Enter the OpenFit Open Ear Headphones - the latest offering that I've been using for the last couple of weeks. These headphones are not just an upgrade; they're a complete overhaul of my auditory experience. The tickling sensation at high volumes? Completely gone, allowing me to enjoy my music at any level without discomfort. And the bass - it's like a whole new world. The depth and richness of the bass in the OpenFit headphones have entirely satisfied my cravings for a fuller sound. In summary, the OpenFit Open Ear Headphones have addressed and resolved all the minor grievances I had with the previous generation. They have significantly enhanced my daily audio experience, making them a stellar choice for anyone looking to step up their open-ear headphone game. Verdict: Fully Satisfied - A Stellar Leap in Open-Ear Headphone Technology

Had the audioengine 2's and wasn't satisfied, moved up to the 5's and found them worse - muddy all across the midrange, overly boomy bass, completely muffled vocals, etc. Wanted something clear and precise, and was willing to sacrifice bass to get it. I picked these up because of the brand's reputation, thinking I'd pair them with a small subwoofer and get better full frequency response than getting the 8020s (or even 8030s) alone. But I was BLOWN AWAY by the low end. No, it's not going to rattle the windows with its power, but the notes are reproduced in the music. I can't believe how good this sounds with professionally mastered music and movies. It thunders when necessary! And one of the best things is that it shows you, right away, how far away your mix is. A good mix sounds amazing. A quicky mix you've done in ableton... sounds horrible. That's exactly what you want from a studio monitor. I've in love and only wish I had picked these up 8 years ago instead of screwing around with junk monitors. I used to joke that these are the only monitors you see at every international art exhibition using sound, but now I know why. I have the space for a subwoofer at my desk studio, but now I seriously doubt I'm going to get one... at least for the time being. 5 stars.

Great sounding speaker. Nice mix of bass. Fills the room nicely.

If you need in ear monitor and and don't want to spend over $ Then this is your solution.

I use these for in ear monitoring on stage with a band. They function perfectly, not only for carrying my mix, but I find the noise-canceling suffecient to block cut just the right amount of stage noise.

Now that my whole family is working at home with me, I've had to mix in headphones more than I'd prefer. I've never had to be dependent on headphones for a mix the way I am now, and so was previously mixing on Sony 7506 headphones. As DJ headphones, the Sony's are great, but for mixing, it was frustrating to say the least! Getting these room some adjustment at first, reminding my brain what flat sound should sound like in headphones. Once I got used to them, I was able to trust them and use my instincts in my mixes in the same way as my near field monitors. Previous reviews praised how comfortable they are, and they ain't lying! I can wear these for hours and don't get all sweaty, or feel that pinch pain in the upper ear. I was also surprised in the low end response. At first, it seemed boomy, especially previously mixing on the Sony's. As my ears adjusted, I was really impressed with the low end clarity and how true they were. I mix a lot of boom bap style hip hop and electronic music with heavy low end, and these thing reproduce that sub sound nicely. Someone mentioned the mid range on these isn't quite as punchy. That's true, but you learn to adjust quickly, and without ear fatigue, you can get a feel for them quick. I was happily surprised to see extra cables and replacement pads! It might have said they come with those things in the description, but I didn't see it. So I was stoked when I saw that stuff in the package. While the price point is kind of up there, having used them for a while now, and realizing how they allow me to mix so efficiently, I feel it's worth it.

I am splitting a tracks and click between an in-ear headphone mix and FOH mixer. This DI is perfect to hook a phone, iPod or tablet to split Left and Right signals. It also is very quiet and add no hum or buzz to the mix.

Bought these for church's keyboard player, next thing I know the bass player is trying to sneak off with them. Keyboard player wasn't having any of that!...Will get a pair for bass player to avoid any problems!