Iphone 15 And 16 Camera

Easy to use with iPhone 15 Pro Max.

I'm using the ND1000 as a solar filter for a wider view of the solar eclipse. Technically it is not 15/16 stops but for a wider angle I'm not so worried about camera damage on a DLSR. I probably would not try to use it with a mirrorless camera due to more extended sun time on the sensor.

Great insurance, and the 15 is great for my micro 4/3 camera body with a lens on. I lost my 16 (from another manufacture) and this actually fits better. I just wish it were a little thicker.

The iPhone 15 Pro cameras are bigger, so add-on lenses have to be optimized for the new camera. (Stay away from budget lenses) I was happy to see it was sharp and in focus from corner to corner on my 15 Pro. The T-series mount is larger. Moment sells phones cases for the mount, and some iPhone cages have available adapter plates that can handle T-series mounts.  Mount the lens by twisting. Use the included hex key to align the lens so it's vertical. The iPhone 15 Pro camera is already wide, so adding a 1.33x lens means we are approaching the ultra wide view of a GoPro. (You can punch in with the Blackmagic Camera app--so that gives you a range of options). The gold anamorphic flares are stronger than the older models which is nice. Worth the money.

I just got a new MacBook Pro 16" and I wanted to make sure I had the right ports, moving from a MacBook Pro 15" late 2014. It's small (which is good) and works as expected. I'd buy another one if I needed it.

I ordered the 15 foot version and could not be happier. Using to connect an iPhone ( with vga adaptor) to the VGA input on an older boat television. Moderate gauge wire for audio and video....I know it is an old school wired connection...but hey works well. Cables say quality the minute you touch them. BTW... I have 40 years of electrical engineering experience. Just buy it.

Used for backing up my iPhone 15 Pro & my Thunderbolt 4 equipped laptop with iTunes.

I have used many ultra wide angle lenses (Zeiss 15, 18, Batis 18, Sony Zeiss 16-35, Loxia 21, Canon 17 TSE) and the Canon 16-35 III is the best mix of sharpness and usability of all.

I LOVE this lens. However, since I shoot architectural I wish it were about 15-16mm. Sometimes 2mm really helps with very large properties. I sold my 16-35FE for the Batis and ended up buying another 16-35 6 months later. I kept the Batis for twilight photography because I use F/2.8 for windy nights. It really is a flawless lens and is perfect with my A7RII.

I bought this lens back in '15 or '16 back before there were any small light weight and low cost pano rigs. The one thing it has is contacts on the back for AF and info transfer of metadata. I used it for Milky Way's, cave photography and landscapes of Horseshoe Canyon where photographers do multilevel panos while standing on the very edge with no cord tied to camera gear or self to get a combo for down to the river as well as sky. But with just one capture you get all as well as sharpness to the horizon. The key is it is not for the capture of a whole but the story of all close and far.