Is There Any Switch Emulator

I LOVED THIS LENS SINCE THE MOMENT I TOOK IT OUT OF THE BOX. THE CONSTRUCTION IS GREAT AS EXPECTED FROM ZEISS. NO AUTO FOCUS MAY BOTHER SOME PEOPLE BUT, IF YOU GET USED TO IT, YOU WILL END UP ENJOYING IT. SHARPNESS IS AS GOOD OR BETTER THAN ANY OTHER LENS OUT THERE IN THE MARKET. BUT WHERE THIS LENS COMES AHEAD OF ANY LENS OF THE SAME PRICE OR EVEN MORE EXPENSIVE ONES IS: IT'S UNIQUE RENDITION OF COLOR, HERE THERE IS NO EQUAL. BEAUTIFUL LENS. I HIGHLY RECOMEND IT.

There is a lot of light coming from this lamp.� Any CFL will take a few minutes to get to its top power.� I've used it several times and did not disappoint.

The solution to ANY screw in plate or adapter is to use a drop of threadlock. There are many vendors. The common one sells a 'BLUE which is easier to remove, and a RED which is stronger. If you disassemble cameras or electronic parts, you will see that the industry always uses a threadlock to negotiate variable tolerances between the threads male/female pitch. I use both the blue or red on all my tripod/head connectors.

It's an unmanaged switch. There is nothing too it. But it works and is good.

There a so many uses for this switch! I will be using it for time-lapse, wildlife and astrophotography sessions.

Any product by Lee is the best of the best.

Never had Any problems.

Any idea of the ETA?

Any other top brand.

There are always those times, particularly in professional audio after we switch everything over to the latest and greatest, when we wish we could still make use of that old gear that seems no longer compatible, and that seems to have no replacement! And then of course we don't want to go through a lot of audio converters after we already have exactly what we want in the digital domain... So, welcome to the world of format converters! I found this little box to be extremely handy interfacing COAX/SPDIF outboard gear back to the DAW, either through sample rate converters or directly to an AES/EBU digital interface. In our particular case we use an RME ADI-192 DD to downsample digital output from Pro Tools HD for use by, let's say an old PCM-80 or a couple of Kurzweil Rumours. This drives the cables in both directions with perfect synchronization, no digital clicks or pops, and everything stays squeaky-clean without the need to worry about the length of the cable runs, etc. It's a unit you can trust, but buying a few copies WILL run you some change...