Jc 40 Jazz Chorus Guitar Amplifier

I used the Fat Head to record my latest composition, a Jazz acoustic guitar duet. The sound was very warm, like you would expect from vintage equipment. I have not found anything not to like about this microphone yet.

For small combo work with a hollow-body jazz guitar, this amp has a great clean tone and in small rooms plenty of power even at its 40 watt rating. It must be extremely efficient because I have yet to go beyond 1 on the volume.

I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.

I record concerts. Classical and jazz, mostly. I also live stream a church service from 40 feet away, in a choir loft (recording from above the audience reduces noise at live events;). The quality is great for our purposes. Most of the audience is far enough back to mostly get mono, anyway, and the events are small stages, so stereo isn't really how it sounds. Think about the staging for a piano trio or jazz combo, where the performers stay close so they can coordinate on the music. From 40 feet, this microphone is directional enough to cover the performers, capture the sound over the entire range with pretty flat response. I get compliments on the sound from the performers. Those are my customers; when they like the sound, I'm golden.

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

The sound is excellent and it looks amazing with this retro design and guitar amplifier style! 20+ hours of battery charge life it`s truth, not joke!

Very nice cables. I use it to connect a tube preamp to guitar amplifier and they work great. Love the color!!!