Kinds Of Guitar Amplifiers

I use it for guitar amplifiers and home appliances - have been working great.

Using it for guitar but appears to suit small amplifiers well.

I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.

Since obtaining this microphone, I have used it to mic up two different guitar amplifiers to good effect. Overall, the sound is warm and the bass response becomes more pronounced the closer it is placed to the grille cloth. Positioning the mic around six inches away produces a more balanced and useable sound IMHO. I have yet to try this mic with a Cloudlifter, which I believe should, when used in conjunction with the Fat Head II, yield a better, hotter signal.

I use the surge protector to power my guitar amplifiers and other accessories in my home recording studio. The long power cord affords me the ability to move the surge protector around the room without hassle. Lots of outlets and slim profile. Also a major plus is the low profile/right angle plug which fits flat against the wall allowing furniture to be pushed closer to the wall.

I've been recording all kinds of concerts for the last few decades, and one super-reliable one-size-will-fit-almost-all approach for orchestras is two small diaphragm condensers, up over the conductor's head, splayed out sideways. (The ORTF style specifies an angle of 110 degrees, the NOS configuration is 90 degrees. Both have their unique strengths.) These Lewitt LCT 140's are spectacular in this application: over the weekend I recorded a tracker organ (which means mechanically operated- other than the electric blower fan, this is the kind of organ Bach knew and loved) concert in an 1800's church, and the results were amazing. The different registers and voices came through distinctly, and the rumbling of the pedals was earthquake-like. The weekend before that, it was a cello-guitar duo, and the mikes were placed on knee-high stands in front of each player. Again, the capture was thrilling, larger than life- the guitar crisp and punchy, the cello sweetly singing. This was all with the "flat" setting, as opposed to the "high end sparkle accentuation" setting, which seems like a wonderfully slick way to heighten the clarity of some instrument meant to have the central focus. The onboard pad and low cut options are also fabulous to have, when you need to contend with the rigors of the real world, which can get noisy and can be unpredictable at times. For many years I was using Oktava MK-012's for these kinds of duties, and later Avant CK-1's, fantastic mikes indeed, but from now on it'll be the Lewitts. Since these are so lightweight, you'll want special shockmounts (I got the Rycotte Inv-6 softies). And if you still need convincing: check out ANY of the multiple Youtube videos where people put these to the test- music, voice, sound effects, whatever. There is just something about the accuracy, the precision, the truthfulness of these things... you will be a believer, I guarantee.

Wow! I'm loving this thing. Works on all kinds of sources. Super articulate microphone. Love it on electric guitar cabinet. I've used on acoustic guitar and bass cabinet also with good results. Definitely one of the best sleepers I've discovered.

We are using these cables to chain amplifiers together and they work great.

If these amplifiers give you what you ask for, they are great, a clean and strong sound.

I use this product to connect power amplifiers to a speaker network.