Kodak 35Mm Digital Camera

I love my Kodak PIXPRO FZ55 Digital Camera (Blue)!!!! I give it a 5 star rating!!!!! I love the color of Blue!!!! I just have to learn how to use it. The only thing that I did not like was IT DID NOT HAVE AN OWNER'S MANUAL with it!!! Why do you not include a Owner's Manual????? How are you to learn about the camera & how to use it if there is no manual????? Otherwise I love it!!!! Include an owner's manual with each camera so customers can learn how to operate their new cameras!!!!!

My roots in photography go back to 35mm B&W Tri X. I am very happy to find Kodak and B&H still supply this great film. I use this in my dad's 1962 Kodak Duaflex IV camera and am thrilled to see the wonderful results. The film has great exposure latitude to make up for the age of the camera and the grain - love grain in my B&W film. Helps to give that classic film look. Great for art photography.

I have not used this film but I trust Kodak products. I have used them in the past and have had great results. I actually bought this for my sister who is still using a 35mm camera. 35mm film is hard to find in my area so you will be my go to guys for film. I'm glad I found you!

I have yet to switch to digital imaging. Wherever I go I take my Yashica T4 camera, and I use Kodak Gold film: ASA 200 in the summer and ASA 400 starting in the autumn. B & H has wonderful prices, and I love this film. So I keep going back to B & H.

Used with fish eye lomo camera. Great sensitivity allows use outdoor without the flash, even in cloudy conditions. Able to capture more details with the flash indoor, even in the corner of the frame with the fisheye lens camera of Lomography series (reminder-fisheye lens captures 180 degrees of view). The film cost is OK at $, however, processing is a bit pricey at $ for 36 frames on matte paper, single set, no CD. Though its understandable that most of the people are doing digital pics this times and not too many stores are handling the development anymore. I wish B and H Store prints my Kodak film on Kodak (not Fuji) paper for better results. For the above reasons I only use color print films for vacation once or twice a year and with the fisheye lens, because i couldn't get the same special effects and sometimes punchy saturated colors with my small Canon digital camera and sometimes bigger Olympic digital camera is not doing the job as well.

I have experience using several types of 35mm film types. Kodak Gold 200 is the best.

For my 35mm film/digital systems. Easy to cut/assemble the TrekPak dividers. Cameras, lenses, camera+lenses fit very well. Did have to remove the camera straps for a better camera fit. The quick-disconnect straps now have their own space. To eliminate any small wiggle with items, used 12in x 12in x 1/8in foam wrap sheets to further secure. The foam sheets (or any padding you may have) will also come in handy to cover the inside wheel and handle areas. Now it's Perfect+++! If you want a heavy, solid case, this is it.

Negative Supply makes a very comprehensive system for scanning film in all formats by using a digital camera and a macro lens. I needed to scan 35mm, so I bought the 35mm LED light source, the 35mm Pro Film Carrier, and the Basic Riser (to which I mounted my digital camera). Everything worked perfectly! By using this system, negatives can be scanned quite quickly, doing an entire roll in a few minutes. Mounting the camera on the riser makes the camera perfectly parallel to the film. The film carrier keeps the film flat and, combined for a good macro lens, my scans were very sharp. Negative Supply's website (www.negative.supply) has a complete explanation of the entire system, including videos on how the various components work.

I recently picked up an old 35mm camera from a friend. In this age of digital photos I was afraid I would not be able to find film and if so, it would be difficult to find and expensive. This fits the bill nicely on both counts.

I have been an 35mm SLR user since 1964 and an Olympus digital SLR user since 2004. I have eight Oly digital lenses and this 14-35mm f2 lens is the ultimate. Output at all f-stops from 2 -11 at any focal length are spectacular. You will not notice too great a difference on a 4x6 print; but on an 11x14 and 13x19 prints you will notice, as they are phenomonal. Clarity and color accuracy are superb. I thought the 11-22mm lens was excellent; but this 14-35 lens is in a class by itself. Photos with great contrast are easily handled. Indoor low light photos are a piece of cake. Other reviews of this lens have criticized its low light focusing. When I tried the S-AF focus option on the E-3 in low to very low lighting, the focusing was definitely slow; BUT when I switched to C-AF focus option, the focus was dead on and immediate with all focusing and exposure options at all f-stops I tried. In other words, there is no focus problem when you use the camera properly. If you buy this lens, it will be on your camera 80-90% of the time, except when you are shooting wildlife, distance sports, etc. Then you can use Olympus' superb telephoto 50-200mm lens (100-400mm, 35mm equivalent)--couple it with the great Oly 2x extender for a 200-800mm, 35mm equivalent. Folks, don't believe all the negative comments about the small sensor used in the Olympus DSLRs -- when you can print fantastic 13x19 photos (and larger sizes, I'm sure, but 13x19 is the largest my Epson R1800 will print), why bother with a full frame Nikon or Canon beast, unless you'r a professional sports photog and money is no object. For the rest of the camera world, the Olypmus E-system with fabulous digital-specific lenses are way more than adequate. I can't say enough positive comments about this one-of-a-kind lens. You will not be disappointed with this lens.