Kodak Ektachrome 35Mm

Fast Shipping, Package was very well done for shipping. No problems to tell for B&H but the Kodak Ektachrome film cartridge jamming up after using about 30 feet. 40-50 feet all troubles. I was told by others about these very same thing.

The new Kodak Ektachrome E100 is the best slide film I have used in over 50 years. Excellent color and fine grain.

I am so glad Ektachrome is back. I always like the colors in this film. Right now it is my favorite film. Of all time it is my second favorite. Can I say my number one film of all time is Kodachrome. Kodak, are you listening? Are there any other film photographers out there who want to see Kodachrome brought back too? I just had to get this out there for Kodachrome.

I wasn’t sure about the new Ektachrome at first. I shot some 35mm in my F5 and in an old rangefinder and it just sent me back to Provia. But then I tried 120 and was thrilled with the results - particularly with night shots. I decided to grab some 4x5. I have now developed 4 sheets and am finding that I really like it. There seems to be a touch more exposure latitude than Provia and the colors are nicer than what I saw with the 35mm version. I will buy more.

As others have noted, this is Ektachrome 5294 movie film, spooled in to cassettes, for 35mm still cameras. It has great color, and saturation, as well pleasing skin tones. Like its sold by Kodak Alaris counterpart, it is a great all around film. I use it for all occasions, both in the studio, and outdoors. Since it is a movie film, it doesn't have frame numbers along the edges; not a big deal, just something to note.

I have experience using several types of 35mm film types. Kodak Gold 200 is the best.

I had written a review of this film based on an experience I had with it about 5 years ago, using both negative and reversal films on the same project. I recently shot another project with both the 500t and Kodak ektachrome and was extremely pleased to find that the 500t actually looked better than the ektachrome! It handled low-light beautifully, the grain was nice, and the contrast was far better than that of the Ektachrome. The Ektachrome was too contrasty, making some images almost useless. The 500t footage was just beautiful and still retained the distinct character of Super 8 film, without the excessive worry you'd have with a low ASA film or with reversal. I highly recommend!!!!

When shooting with 35mm film, the Kodak UltraMax 400 has been my go-to. Whether I'm shooting with my Argus C3, my Olympus 35 RC, my Nikon FE, or my Canon F-1, I can always rely on the UltraMax 400 to give me the shot I need at the end of the day. There is a sumptuous quality to the color and contrast that I love, and I always make sure to have a ready supply of these rolls on hand.

My roots in photography go back to 35mm B&W Tri X. I am very happy to find Kodak and B&H still supply this great film. I use this in my dad's 1962 Kodak Duaflex IV camera and am thrilled to see the wonderful results. The film has great exposure latitude to make up for the age of the camera and the grain - love grain in my B&W film. Helps to give that classic film look. Great for art photography.

I use this to fix all of my 35mm B&W film. Works great with all Kodak and Ilford films. The best part is I can use water as my stop bath so one less chemical is needed. This really is a well kept secret for those of us that shoot lots of B&W film.