Kodak Professional Dcs 660 Digital Camera

I still like the 660 better

I love my Kodak PIXPRO FZ55 Digital Camera (Blue)!!!! I give it a 5 star rating!!!!! I love the color of Blue!!!! I just have to learn how to use it. The only thing that I did not like was IT DID NOT HAVE AN OWNER'S MANUAL with it!!! Why do you not include a Owner's Manual????? How are you to learn about the camera & how to use it if there is no manual????? Otherwise I love it!!!! Include an owner's manual with each camera so customers can learn how to operate their new cameras!!!!!

Sturdy, accurate, very well made. Using the pair with DCS, Digital Combat Simulator and with MS Flight Sim 2020. Both software problems support the warthog replicas. I am very pleased with this product.

I have yet to switch to digital imaging. Wherever I go I take my Yashica T4 camera, and I use Kodak Gold film: ASA 200 in the summer and ASA 400 starting in the autumn. B & H has wonderful prices, and I love this film. So I keep going back to B & H.

Used with fish eye lomo camera. Great sensitivity allows use outdoor without the flash, even in cloudy conditions. Able to capture more details with the flash indoor, even in the corner of the frame with the fisheye lens camera of Lomography series (reminder-fisheye lens captures 180 degrees of view). The film cost is OK at $, however, processing is a bit pricey at $ for 36 frames on matte paper, single set, no CD. Though its understandable that most of the people are doing digital pics this times and not too many stores are handling the development anymore. I wish B and H Store prints my Kodak film on Kodak (not Fuji) paper for better results. For the above reasons I only use color print films for vacation once or twice a year and with the fisheye lens, because i couldn't get the same special effects and sometimes punchy saturated colors with my small Canon digital camera and sometimes bigger Olympic digital camera is not doing the job as well.

Capturing audio to go with video interviews. I mount it on my camera, but run the audio into a Merantz 660. It records clean and is light and easy to handle.

The Black and White Mode is the first real film look i have found in any professional digital camera paired with the metal body, size and overall rangefinder design with the addition of the mode dial have all restored the digital camera back into the long historical evolution of the street photographer's camera.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I've had 10 different digital cameras. I've done professional video and stills throughout my working life. My G9II (and Gh6) is the best camera I've ever used. The AF on the G9II for BIF and sports is extremely good. The video is a professional grade documentary or B roll cinema camera. Pair it with Panasonic PL grade lenses and it becomes a tool with which you can do your best work. The handheld hires is amazing.

I am not a professional photographer but enjoy taking photos. This is my first monochrom digital camera and it is really impressive. The quality of the photos is really amazing. I also have a Q2 but the B&W output from Q2 is definite different from the Q2 monochrom.