Krk Classic 8 Studio Monitor

First, 60W will probably meet your needs in a small video studio. I only use 2-8% of the output. Secondly, a standard modifier platform (Bowens' S mount), has saved me a great deal of time. The lower cost silent heads would only accept barndoors, gaffing tape and aluminum foil. Far Far easier to repurpose old modifiers or purchase new. Previously, I would have to retape the foil at inopportune times. SILENCE is critical for me. Recording a cast once correctly is worth all the post processing in the world. Nothing beats SILENCE.

As a long time user of KRK and Yamaha studio monitors -,I was blown away by the Sound reproduction of the 8010s! ..These little marvels have now replaced both my Yamaha HS5 and KRK rockit 5”s as my go to mixing monitors for music and film projects .,, could not be happier ..

SM57 doesn't need recomendation. It's a classic and necessary in every studio.

An excellent option for studio monitors at this price point and a great alternative to the KRK yellow cones. The Adams sound like they are optimized for creating electronic music: excellent bass response and they sound great at all volumes.

8 x Splitter works as described. Great unit.

The perfect monitor for the Mac Studio.

Now my rolling studio monitor can be placed anywhere.

Grille fit my KRK S10 perfect

8GB SDRAM is much better than 4GB in my DELL desktop computer.

I use the A53M on a pair of classic AKG-414B-ULS studio condenser mikes that I purchased used. I tried AKG's current shock mount for the 414 series, and it simply did not provide as good shock isolation as the A53M. The small size is also a definite plus.