Latest Professional Camera 2014

I bought this the first time back in 2014 from another online store and have been using it for years (home use, not professional job). The paper is white and durable enough. I purchased this again here based on my previous good experience. I suggest buy some clamps from Lowes or other places to work with this, because the paper will keep rolling once you hang it and start to unreel it.

There are always those times, particularly in professional audio after we switch everything over to the latest and greatest, when we wish we could still make use of that old gear that seems no longer compatible, and that seems to have no replacement! And then of course we don't want to go through a lot of audio converters after we already have exactly what we want in the digital domain... So, welcome to the world of format converters! I found this little box to be extremely handy interfacing COAX/SPDIF outboard gear back to the DAW, either through sample rate converters or directly to an AES/EBU digital interface. In our particular case we use an RME ADI-192 DD to downsample digital output from Pro Tools HD for use by, let's say an old PCM-80 or a couple of Kurzweil Rumours. This drives the cables in both directions with perfect synchronization, no digital clicks or pops, and everything stays squeaky-clean without the need to worry about the length of the cable runs, etc. It's a unit you can trust, but buying a few copies WILL run you some change...

I have always relied on Pelican water tight cases for all my professional gear. The latest edition, the 1200 Mini-S case houses my Atmos Ninja V and all it's accessories. When it comes to protecting your gear, it's Pelican... Case Closed!

My second purchase of a Vello Battery Grip, first one was for a D750, the latest for a D850. Professional packaging, looks indentical to Nikon product but at 25% of the cost. I am very wary of third party accesories but this one does the job, highly recommended.

This is the answer to many of the problems associated with the latest lenses and camera bodies.

Just purchased one for our latest camera.� Have used one for a year without problems, so it was our first choice for the new camera.

When I first switched to Fuji in 2014 I was sure although I never held the camera (X-T1). When I finally did, I sold all my *other camera gear and took the leap. I have never looked back and this new camera continues the tradition of me not wanting to look back. Photography first.

I'd been looking at this camera ever since I saw it unveiled at CES 2014. I was primarily interested in having the newest BIONZ sensor, and this is by far the least expensive instance of Sony's newest technology. Being an early adopter aside, the major features that make this a pretty amazing camera are it's lock-on focusing, which makes it infinitely simpler to take video of moving things and the 40x zoom which is actually kind of absurd once you get to play with it. I would absolutely recommend this camera to anyone and I would say that it makes a number of very complicated photo and video techniques incredibly simple to do.

It worked with my iMac. My 2014 Mac has a usb 3.0 bus which the Avaya says it prefers over a 2.0 for full powering. There is no Avaya app; you don't need one because the included remote control does all the zooming and panning. 3rd party Zoom teleconference application software saw it as a camera and a mic. Easy peasy. So ignore all the stuff about checking for a firmware update and needing Windows to do that! I have not tried the Avaya as a HDMI input on my BMD Atem mini yet. I don't really need it for that. I needed it to replace the poor built in camera in my older Mac.

Replacing old one purchased in 2014 that will no longer trigger camera. 5 years use 2014-2019 - not too shabby. I was scared it was the camera. I use for night sky and time lapse projects. Getting ready for meteor showers at end of July. Thanks.