Lg Refrigerator Stops Making Ice And Freezes Over

I have been buying these ICE filters for years, they are the most affordable solution and often come in sets of 3. These filters have ZERO color cast, in constrast to some much more expensive brands. You can stack them to get 3, 6, 9, 10, 13, 16, 19 stops of neutral density. 16 stops for bright sunlight, 13 stops for partly cloudy days, 10 stops for overcast, 6 stops in twilight and 3 stops at night (to get long exposures in bright cities).

our refrigerator is covered with them!

Very forgiving film. Over exposed it on purpose to see results. Was able to over expose 4 stops with great results.

Have a high end refrigerator that is plug in into it, so far so good!

I use it to save everything on my computer and it works real fast and never freezes!

I am grateful to Sekonic to still be making light meters. This is a new iteration of my favorite flash meter. I only bought this because after many years of use, the LCD on my old L308s meter is starting to lose segments. The L308XU works the same but I very much prefer the display of the older meter, specifically the graduated arc displaying the fractional steps versus the numerical readout by the f stops which could refer to fractional f stops or shutter speed, depending on mode. I guess Z'ers don't use meters nor understand analog scales. However, I shoot both digital and film and don't have time to waste gimping exposures on photoshoots. Also on the esthetic side, I prefer the grey buttons versus the blue on the new meter. The main fault with both meters is that they are sold incomplete. One still needs to spend an additional ~$30 to get the Lumidisc to be able to use the meter fully as designed.

I had used the regular Rodagon 80mm for some time, making color and B&W enlargements up to 24x42 and was quite happy. Then I was loaned the APO by the Rodenstock reps. Using a DeVere 4x5 single bulb color head, from 645 negatives enlarged bigger than 16x20, there was a marked increase in sharpness, contrast(at least 1/2 a grade on B&W) and the contrast and corner sharpness as well as even-ness of illumination across the image field was surprising. I've been a professional lab technician/photographer(mostly industrial/commercial) since 1973. I've never used a better quality lens, for the finished results. It IS breathtakingly exspensive. It will cover with no fall-off at f8 the Fuji 6X8 cm format. If you have older generation enlarger lenses, even very good lenses, you are short-changing yourself without the APO series lenses. No new HDTV for me this year...three new APO Rodagon N's for me(50, 80, 105mm the 150 will have to wait a year). I have had no qualms about using this lens at F5.6 on 20x24's. It's grain-sharp into the corners. I really like the feature of using continuously variable f-stops with an on-easle densitomiter. F7.3 at 12 seconds maybe perfect. BTW: by a Minolta Flash Meter III, the F-stops are with-in .3 stops of perfect from wide-open to f22. I know lots of you silver B&W guys are using old glass because you have it and it looks OK. Try an APO, and you'll spend twice as much time in the darkroom, making far more much better prints. Yes, I am hyped. Ricky Earp

Even better than promised. Will try hooking it to my refrigerator.

Strong enough to hold up a refrigerator, I think. Fits perfectly, of course.

I have it a month now & only problem I have is Show freezes sometimes when I FF.. I have to leave show & go back in