Logitech 3.5 Mm Headset Xbox Mic

I had to hook a headset (mic and headphones) to a Griffin iMic. The headset has a 4-pin/TRRS 3.5mm plug; the iMic has two jacks, a mic input and headphone outputs; both are 3.5mm 3-pin/TRS. This is the cord that converts it. It works. It's sturdy. I don't think about it. It's surprisingly hard to find these things, so I'm glad B&H stocks them.

This is one of the best Headset that Logitech has created. B&H had this headset on sale and I just had to buy them. I am glad I did and I like the sound quality and the mic is very responsive. You cannot go wrong if you are a game like me.

This is a great little addition to an iPhone, allowing the use of a real headset (aka one with a standard 3.5 mm plug) and charging at the same time.

I plug this AC-5002 headset into the 3.5mm jack on my HP Probook for Zoom conferences and everything works perfect. Priced less than twenty bucks you will have a tough time finding anything that works better.

this not only helps you expand the signal but its also a clip on and it has a 3.5mm input so you can connect a wired headset to it and make it an extra headset for your kit.

The GoPro 3.5mm Mic Adapter, works like it's suppose too. Awesome!

If you need a 1' stereo 3.5mm to 3.5mm cable, this is it.

It patches 3.5mm to xlr. This is exactly what it should do and it does it well.

The MVP-6 is a good first and affordable shotgun mic: it has a switch to select usage with a camera (TRRS) or a smarphone 3.5 mm jack (TRS) without requiring an adapter, battery or phantom power. Its cable is non-detachable, coiled and its length is perfect.  It is meant to capture audio from its source with a focused narrower perception during the recording the way we hear selectively when we focus our attention.  So far, I used it indoors for an interview with a camera positioned 3 ft away in a quite room, then with music playing at close proximity and finally outdoors while filming sport car with an 85 mm lens, so quite away from the subject at a marina with surrounding noises. During each recording, I pointed the shotgun mic straight at the audio source, rotated 90° and then all the way at 180° to test the off-axis rejection. I compared the audio by playing it back with quality headphones from the shotgun mic and the on-board SONY A6400 omni directional mics in all three scenarios. I found the self-noise to be similar between the MVP-6 and the camera while listening at 75% playback volume. However, on-axis, the audio pleasantly more focused when using the shotgun mic. If you can be close to the source (on-camera using the cold shoe while filming with a wide angle lens or using a boom pole using its 1/4”-20 threaded hole and 3.5 mm cable extension plugged into an audio recorder) and orientate it properly, this shotgun will definitely improve the audio quality. It adds clarity and some perceptible loudness to the production.  The advantage in using a shotgun mic such as this one is also to allow keeping the audio gain low(er). This is desirable because the camera’s built-in pre-amps are rarely very good. It is best to keep the gain as low as reasonable to reduce the self-noise. As for the sound characteristics: it is a little on the bright side and it reminded me of  Sennheiser.  [I have received this product in exchange for my honest review]

so just fyi if you adapt a mic with a 3.5mm TRS plug to XLR, heres a really useful tip adapting what looks like a 3.5mm stereo jack to a 1/4 inch jack to the XLR adapter you will wanna use a 3.5 mm jack to a 1/4 inch MONO jack. otherwise you will not get a signal. i know it seens like a 3.5 stereo jack to a 1/4 inch jack seems like what ya wanna do. And a lot of people make this assumtion, i did. Just figured id share this info for anyone who is trying to troubleshoot why they are getting no XLR input.