M Audio Bx8 D2 Studio Monitors

I was shopping around to upgrade from my aging M-Audio BX8's, these things are in a completely different league.� The ribbon tweeters and waveguide produce such a large, perfect sounding sweet spot.� I don't ever want to take my head out of in front of these things.� Size wise, they're a step down from my BX8's, and I am missing feeling freqs below 30-40htz.� I'm considering a sub to correct this.� Hopefully ADAM decides to make a T-Series sub.

I needed a pair of studio monitors to do multitrack audio mixing at my home studio & these are perfect!

Fantastic for the studio monitors.

These are the monitors for a Studio One DAW via Firepod - plus standard HP for audio out. XNLT sound quality for the price! All-star service from B&H as usual.

22 years ago an audio rep at B&H helped me build my first recording studio. I didn't know enough then to realize how stellar the recommendations that were made were. In early 2022 I decided to do an entire upgrade to my studio, from computers to software etc. One of the original recommendations for monitors were the original Mackie HR824's. They are used as near field monitors. One of the amps on one monitor blew out. So I found my self on a search. I went through the usual suspects. Almost went for the Yamaha's but at the end of the day, i purchased 2 brand new Mackie HR8242. I can't believe they are even better than the originals. Clean, crisp, and flat, every mix sounds as its supposed to, in the studio, on my beats, in my car, on the phone, and on the web. They really are just spectacular monitors. Well worth the price of admission without a doubt.

The best studio monitors at this price level, PERIOD. They produce sound accurately and clearly for film and music production. The response is flat enough where it counts and they combo as great speakers for enjoying any kind of entertainment partnered with a sub. I use them every day, and I couldnt be happier. Ive used plenty of monitors, and these are my go tos at my home studio and at the office. HOW THEY COMPARE They arent as clear and flat as the Yamaha HS5s but they have much clearer lows and mids, lacking that tinny quality and sound more accurate to how people enjoy entertainment without sacrificing clarity. They arent as bass heavy KRK Rokit 5G3s, but they also arent as muddy as the KRK Rokit 5G3s and have a much clearer treble response. They kill the M-Audio BX8s in every single way—the BX8s are muddy, dull, and hard to listen through. Terrible, really, do not buy M-Audio for accurate audio, and Id say the same thing for the Mackie CR4s. The Presonus Eris E8s just arent it either. The only opponent Id say these have are the Adam Audio A7Xs, which have a much lower bass frequency response and a much more accurate high response, and are just the best monitors Ive ever used all around. The thing is, the Adam Audio A7Xs are $750 EACH. You can often pick these up for less than $250 a pair. So just do it. Buy the LSR305Ps now. Save up. These are the speakers youve always wanted and youve never heard anything like them. What are you even waiting for?

I use this product for my studio monitors to get the absolute best sound from my audio interface to my monitors. No disappointments ever. Repeat mogami buyer.

I didn't have a ton of money to spend on new studio monitors but after extensive research I decided the Behringer Ms16's would work okay. I got them installed today and had some time to run them through the rigors of audio / video production. Excellent flat response and delivery of authentic audio. Much better than I expected and heavy. Solid build. It's good to have good audio again. These should last a long time and deliver quality audio for my multimedia productions!

I use the Profo D2 in studio and in the field with my B1s & B2s. It works flawlessly. The menu interface on the back of the strobe works much better the than the B1s.

I already own two Profoto 500 w B1s and was looking for a third, so the D2 for studio work seemed like the perfect complement to the kit. I also wanted the quick recycle time and speed. I have only had this unit a few weeks, so I've only used it on a couple occasions so far, but on a recent studio shoot it performed like a champ. I have a canon 1Dx and it had no problem keeping up with the 1Dx firing at 10 frames per second. What impressed me most was that the exposures were spot on and consistent from frame to frame, with little or no variation of power or color quality. I'd say if you're going to be working in the studio and need quick recycle and speed, you won't go wrong with this monolight.