Mechanical Keyboard Cable 3.5 Mm

If you need a 1' stereo 3.5mm to 3.5mm cable, this is it.

I had been looking for a headphone cable for my keyboard for a while. The only ones I could find were 1/4”-3.5mm adapters which usually compromises the stereo sound cutting in and out. This cable from B&H is amazing...10’ long and hard wired jacks on each end. I am totally satisfied and the package came really quick, even during this Covid 19 pandemic. Great job!

I needed a short 3.5mm cable and the price was right. Works as expected.

If you're looking for nice long 3.5mm cable - this one represents good quality.

This cable is perfect for DSLR cameras with a 3.5mm input

I have no complaints about this stereo mini 3.5mm cable. It sounds great and seems to be built well.

I got this today and it works great with my cell phone, it even came with a 3.5mm to 3.5 mm cable for cellular use...I was surprised..also do yourself a favor..install the gain jumpers as stated in the directions..it will give you more audio on a noisy day. HTH

I have a multi camera set up where I record audio to my QSC TOUCHMIX 16. I was using a Hosa Technology Stereo Mini (3.5mm) Male to 2 Mono 1/4 Male Insert Y-Cable or sometimes a 3.5mm Mini Male TRS to XLR Male Cable and I always got a slight buzz from my MacBook Pro... This noise showed up under vocals and was worse during silent moments.. The Peavey USB-P Is silent while I am testing now. Tomorrow I have a big Memorial Day ZOOM conference. I will let you know hoe it stands up when it is in use with a sound system, lights and video attached...

It patches 3.5mm to xlr. This is exactly what it should do and it does it well.

The MVP-6 is a good first and affordable shotgun mic: it has a switch to select usage with a camera (TRRS) or a smarphone 3.5 mm jack (TRS) without requiring an adapter, battery or phantom power. Its cable is non-detachable, coiled and its length is perfect.  It is meant to capture audio from its source with a focused narrower perception during the recording the way we hear selectively when we focus our attention.  So far, I used it indoors for an interview with a camera positioned 3 ft away in a quite room, then with music playing at close proximity and finally outdoors while filming sport car with an 85 mm lens, so quite away from the subject at a marina with surrounding noises. During each recording, I pointed the shotgun mic straight at the audio source, rotated 90° and then all the way at 180° to test the off-axis rejection. I compared the audio by playing it back with quality headphones from the shotgun mic and the on-board SONY A6400 omni directional mics in all three scenarios. I found the self-noise to be similar between the MVP-6 and the camera while listening at 75% playback volume. However, on-axis, the audio pleasantly more focused when using the shotgun mic. If you can be close to the source (on-camera using the cold shoe while filming with a wide angle lens or using a boom pole using its 1/4”-20 threaded hole and 3.5 mm cable extension plugged into an audio recorder) and orientate it properly, this shotgun will definitely improve the audio quality. It adds clarity and some perceptible loudness to the production.  The advantage in using a shotgun mic such as this one is also to allow keeping the audio gain low(er). This is desirable because the camera’s built-in pre-amps are rarely very good. It is best to keep the gain as low as reasonable to reduce the self-noise. As for the sound characteristics: it is a little on the bright side and it reminded me of  Sennheiser.  [I have received this product in exchange for my honest review]