Most Important Instrument In A Jazz Band

Recorded eight piece jazz band into my Tascam, no hums or glitches of any kind.

For such small speakers I’m enjoying every instrument in my music. I’m an avid jazz lover. Very pleased. The sound is crisp & clear.

Came home from shooting a jazz band in a dark club in Bangkok and found that my 50mm Summicron with built in hood no longer sported its Leica pinch cap which must have fallen off and rolled away unnoticed into the shadows. This cap is a perfect fit, just tight enought, and I'm sure it's not going to do a runner like its distiguished predecessor. I like it so much that I ordered two more from B&H for my 90mm Tele-Elmarit-M and my 135mm Tele-Elmar respectively, both of which have rather annoying detachable hood and lens cap combinations that make them rather fiddly to change and the stock lens cap doesn't fit without the hood. If you want to avoid the hassle of these hoods, the Kaiser 40mm push on cap is the ideal replacement.

I play drums in a Blues / Jazz jam band. I needed a simple stand for a Shure SM57 microphone to record the kick drum. Other short stands with a boom have to be contorted to line up with the resonant head's port hole (8 from floor to dead center). Coupled with a standard Shure mic clip, the Auray stand is perfect! The weight of the base is substantial and the price is right.

I am an audiophile who enjoys spending evenings immersed in jazz, classical, big band, classic rock ... a wide range and wide variety from my recorded collection and subscriptions. I could not justify professional headphones, but these are PERFECT for those occasions when the rest of the household does not want to hear my music.

Wow, this works really well. I bought it for the band at our church. Makes it very easy for someone who plays an instrument and sings to have a decent in-ear monitor without spending a fortune. Very solid all-metal construction. Setup and use are very simple; the diagrams & labels silk-screened onto the top make it easy to see what should plug in where. As a nice additional touch, it doubles as a direct box for the instrument input. I highly recommend the optional MSC106 mic stand adapter if you're using this on stage. Only drawback is that you need a long cable or an extension for your ear monitor / headphones. If you mount this on a mic or music stand, you don't have a lot of room to move. We'll be buying a mix of these and the 1-channel PM50s to move our whole band to in-ear monitors.

We use a snake combining vocal mic, instrument mics, D.I.s, and monitor cables for each band member, running to their area of the stage from the stage digital mixer, and this product makes it easy to customize those changes and change out cables when necessary.

If anyone in your band wants more me control of their in-ear foldback for both their vocals and an instrument (or two instruments), then this is THE box for them! Ok so it costs more than the 2 channel competition, but this has the essential 3rd channel the others lack, plus an integral stereo DI box, so the total cost is much the same. What is really nice is the way it can be set for mono or stereo inputs on both the instrument channel and the main foldback. The cct diagram even contains instructions to convert the mic channel for line level inputs. A really useful box, and a much better buy in real terms than the competing products, for use by real musicians!

Most important thing: Works with M1 Macs and Big Sur

This is every bit as good as the Nikon hood which I broke. Most important, it is way cheaper.