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Network 5.1 Stereo Receiver
GG | 2024-09-17 06:52:46 |
Compliments the playbar,Not as good as having a receiver and a 5.1 set up but good enough. 5 |
Corbie D | 2024-09-03 06:55:29 |
The best stereo receiver I’ve ever owned! If you want the best, this is it! 5 |
Joe E | 2024-04-25 02:10:36 |
This stereo receiver was one of my better online purchases! 5 |
abruuni | 2024-05-12 03:51:58 |
I use it to connect my tape deck to the stereo receiver. 5 |
jim 79 | 2024-05-26 07:23:11 |
I bought the stereo receiver for the price and Sony name 5 |
leesavoy | 2024-09-02 02:23:19 |
I'd been looking for a stereo receiver to incorporate with my existing sound system and this Tree Receiver fit the bill. 5 |
mackstat | 0000-00-00 00:00:00 |
i bought this stereo Receiver to replace my old receiver that i gave to my son i was looking for something that used just two speakers and maybe i could connect my sub woofer to it this was the one i could afford plus sony makes good products so i bought this on and i really like it 5 |
Airhole | 2024-08-17 07:36:44 |
I use this device in conjunction with Logic Pro on a 2021 MBP to record, mix, monitor, and master in stereo and sometimes 5.1, mostly for video soundtracks. It has a clear, clean, open sound that accurately reflects even subtle changes in mix and plugin settings. The accompanying TotalMix software has very powerful routing options, and once it is configured, makes it easy to switch between stereo and 5.1. For those relatively new to recording and mixing, be aware that this is a professional grade tool. For what it can do, it is very simple to operate, but you can expect a learning curve to absorb the concepts behind TotalMix. That doesn't mean not to buy it, it is completely worth taking the time to learn, and RME has outstanding tutorials. For more of a plug-and-play experience in Logic that will also deliver fine sound but with fewer input and routing options, look to Apogee. 5 |
Airhole | 2024-05-05 01:57:15 |
I use this with Logic Pro on a 2021 MBP for recording, monitoring, mixing, and mastering in both stereo and 5.1, mostly for scoring and soundtracking. It has a clear, open, sound that accurately represents even very subtle changes to mix, EQ, soundstage, or plugin settings. Mic Preamps sound sweet and clean and will let the character of your mic shine through. The build is solid, and the knob and buttons have a nice click to them. It has a dazzling number of inputs and outputs for its size, and TotalMix gives the user super powerful routing options. Once configured, TotalMix makes it easy to jump between stereo and 5.1. My only caveat is that this is a professional tool, and if you are relatively new to this line of work, there will be a learning curve to understand all of the options the interface has and the concepts behind TotalMix. This doesn't mean that you shouldn't buy it, it is 100% worth it to take the time to learn, and RME has excellent tutorials. This interface will honestly represent what you play through it and will give you the power to create the recording you envision. 5 |
Rick K | 2024-09-27 05:55:35 |
After replacing my 30-year-old Sony Prologic 5.1 Receiver with a new Sony STR DN590 5.2, I felt that my 30-year-old Yamahas needed an upgrade, also. I went online for reviews of several candidates, and the SS-CS5 stood out among the others. I have not been disappointed! Its bass melds with my PSW10, like the proverbial "seamless garment", superior to its predecessors, to produce concert level bass with Eric Clapton's 1988 version of "After Midnight", and the treble and midrange handles both contemporary and vintage female vocals, as from Bond themes. All-in-all, a great speaker! 5 |