Nhl 24 Ps5 Controller Settings

I bought this TV to replace my LG OLED that was far out of warranty & doing the whole random reboot loop shenanigans about a month ago. So far, I'm quite happy for several reasons: Integrated Google TV. Google TV is so much easier to use than LG or Samsung's OS because I'm already in the Google ecosystem and now I don't need to rely on a dongle to get the Google TV experience. Works seamlessly with the PS5. If you've got a PS5, Sony's picture settings are pretty much perfect for gaming (as you'd expect). I diddled around with the picture settings only to reset them as the default settings are all you need. Good value. It's a good balance between an expensive OLED and one of those cheap 4k TVs. I thought "downgrading" would bother me, but so far, I'm quite happy with the picture quality. It also has FOUR HDMI ports, so unlike with my LG, I don't need to be plugging and unplugging hardware I want to use. That might seem like a trivial problem, but it's the little things in life. I can't speak to the sound quality as I have a Sonos soundbar. But, if you have a soundbar and are wondering if this TV will play nice with it, the answer is yes.

i didn't have any problems installing this on my end. i only had to change settings for my ps5 to output 5.1 sound in the room. ill be tinkering on other parts of it, but so far they can be pretty loud and its great to hear sounds behind me.

Picked this up to run three APs and play with the port authentication settings on the unifi controller. If this proves reliable it will compliment my unifi gear well.

Full of PRO features you might not expect on a smaller slider. The controller has timer settings, continuous repeat, set up so you mark off the range of movement, and camera exposure control. You might not expect the quality build of this unit considering the price! Quality throughout and designed with a number of nifty mounting features for all sorts of shooting occasions. This comes with a zipper carry bag that protects the whole rig while you are moving. Even though it's not a huge rig you'll find that with a good eye and your imagination this will take you far. I'm using it primarily for video accent footage and the smooth moves that you can get with the GVM are so much more pro than handheld. Ok, I like it. Your mileage may vary but I'm guessing not by much. I recommend a ball head for maximum shot flexibility. When you are tracking uphill you'll need it. In Peace.. Bob

If you're tired of manually changing the settings and parameters on TotalMix and swapping back and forth between your DAW windows and TM, then this is the controller for you. The assignable functions allow you to customize the controller to fit your needs. It also has a foot switch input as well, which I've got assigned to talkback. The controller feels robust and it's def got some weight to it. The jog wheel is very firm with high resolution. It works smoothly with my RME UFX and Macbook Pro Late 2013 15' (OSX 10.9.5). They nailed it!

I travel around north America doing lighting for the NHL, NFl these stands are perfect in every way, very sturdy and versatile a little heavy but worth the weight in stability

We are using the APS-1 for a distributed antenna system for communications in an NHL arena. In combination with LMR-400 cabling, it work perfectly.

I'm a sports photographer so my review won't include anything on the video (sorry). As a reference, I have been using the mark2 and mark 1 prior and also recently testing out the Sony equipment for a few weeks (there were several things I really liked about the Sony but several that killed it). I really like my mark 2s and still use my mark 1 occasionally. The mark 3 came too late to test with NFL but I was able to shoot some XFL and NHL with it. Here are some impressions: 1. the tracking is amazing. It is a huge upgrade from the mark 2 (and way better than Sony - sorry Sony fans but there is no competition). 2. It records really fast and I no longer have to worry about missing action on a long run from buffering. It is also amazingly quick when backing up and importing into Photo Mechanic. 3. you have to buy new cards which are expensive. 3. The noise is improved but could be better still and they'll need to work on that. 4. The images are amazingly sharp. It is better than the mark 1 & 2 and, yes, better than Sony. 5. The buttons haven't changed from the marks 1 & 2 which I really appreciate. 6. The battery life is incredible even though it's the same at the mark 2. I shot a full XFL game and an NHL game the same day on the same battery and still had two bars left (for the mark 2, I was always swapping at half time or end of the third quarter). 7. You can tell the FPS difference over the Mark 2 (those extra frames can make the difference in getting the shot). Is it worth the upgrade over the Mark 2? I would say it is a huge upgrade but really steep in cost (plus the cards) and probably overpriced. Unless you make your living with it and shoot at the highest levels, have to shoot all raw images (this one is me), have a lot of money (not me), or have your agency paying, I would wait for it to drop in price next year or for a rebate program. If you have a Mark 1 only, it is a good time to get the mark 2 cheaper. If you have a mark 2, see above.

The first thing I want to touch on is the kit lens; 24-70mm f/4. I have seen videos of so called pros calling this lens overpriced and flimsy. My copy is well built, solid and oozes quality; even the lens hood attaches securely with no play. Yes it is plastic, but believe me it does not feel cheap at all. Other reviews mention the quality of the images, that is well founded. The camera body feels great in the hand. I’ve read the manual extensively and customized the Fn buttons so I can use focus settings (continuous, and dynamic area) for action and to change the metering mode; this along with the release mode button gets you ready quick. There are user settings directly on the shooting mode dial to customize too. I also used prioritize viewfinder to keep the rear screen off, except for playback and menu access, in order to save battery life and having had the camera on for hours while customizing it, etc. it lowered 2 bars. i-menu is setup for things like HDR, Active D-lighting (eh), multiple exposure and other settings I don’t have on my buttons. I also set my “Release Button to Use Dial’ to on so once you hit a button, you don’t have to hold it down to move the command dials, awkward when you have large hands, especially with sub-dial.  A large sensor, in a camera not much bigger than an Olympus E-M1 MK II, which I placed side by side with this camera; with similar weight (both with zooms attached), even with the 24-70 f/4 and you have a fantastic travel camera with resolution to satisfy the most discerning landscape photographer.

I have used this successfully on three Samyang Cine lenses (24, 45, 75) and it worked perfectly. I was a little nervous about using it because of some of the negative reviews of people experiencing bricking of their lenses with it. All three of my lenses needed an update to the latest firmware and one of them had strange focus settings. I was able to update the lenses and fix the settings on the one that needed it.