Nhl 25 Controls Ps5

Having shot on big body cameras for over 25 years professionally, moving into the mirrorless space I needed to have a larger feeling camera body so this absolutely helps with that. Also having extra battery capacity is very helpful. All the controls works just as well as the controls on the actual camera body. Works great

This was my first synth ever. I purchased it because it had knob-per-function controls for the most important parameters. I'm happy to say that it's been a fantastic journey learning about synthesis, and doing it on the Moog Sub 25. It's straight and to the point without being overwhelming. The sounds are incredible from super fat bass lines to piercing leads. Use the duophonic feature to hold a drone note and solo with the second oscillator. It's just a beautiful machine. The design, the wooden end cheeks, the curves on the back panel. Again, it's just a beautiful machine. It will forever be compared to its bigger brother the 37. The big guy has the arpeggiator and step sequencer, expanded memory banks, aftertouch, and the extra octave. But it's also $700 more. If you want all the tone and can sacrifice a couple of bells and whistles, grab this sub 25 and get groovin.

I travel around north America doing lighting for the NHL, NFl these stands are perfect in every way, very sturdy and versatile a little heavy but worth the weight in stability

We are using the APS-1 for a distributed antenna system for communications in an NHL arena. In combination with LMR-400 cabling, it work perfectly.

I'm a sports photographer so my review won't include anything on the video (sorry). As a reference, I have been using the mark2 and mark 1 prior and also recently testing out the Sony equipment for a few weeks (there were several things I really liked about the Sony but several that killed it). I really like my mark 2s and still use my mark 1 occasionally. The mark 3 came too late to test with NFL but I was able to shoot some XFL and NHL with it. Here are some impressions: 1. the tracking is amazing. It is a huge upgrade from the mark 2 (and way better than Sony - sorry Sony fans but there is no competition). 2. It records really fast and I no longer have to worry about missing action on a long run from buffering. It is also amazingly quick when backing up and importing into Photo Mechanic. 3. you have to buy new cards which are expensive. 3. The noise is improved but could be better still and they'll need to work on that. 4. The images are amazingly sharp. It is better than the mark 1 & 2 and, yes, better than Sony. 5. The buttons haven't changed from the marks 1 & 2 which I really appreciate. 6. The battery life is incredible even though it's the same at the mark 2. I shot a full XFL game and an NHL game the same day on the same battery and still had two bars left (for the mark 2, I was always swapping at half time or end of the third quarter). 7. You can tell the FPS difference over the Mark 2 (those extra frames can make the difference in getting the shot). Is it worth the upgrade over the Mark 2? I would say it is a huge upgrade but really steep in cost (plus the cards) and probably overpriced. Unless you make your living with it and shoot at the highest levels, have to shoot all raw images (this one is me), have a lot of money (not me), or have your agency paying, I would wait for it to drop in price next year or for a rebate program. If you have a Mark 1 only, it is a good time to get the mark 2 cheaper. If you have a mark 2, see above.

Just got a ps5 recently and this is a must have

Excellent for a PS5 storage.

Good ps5

Works great in my PS5!

Great upgrade for my PS5