Old Vintage Digital Camera

I use this with my P800 printer. Old photo restorations have the look and feel of vintage prints. I've wanted to make prints that look like what I get with this paper for over 40 years. No traditional photo papers ever came close to the beautiful matte blacks that can be achieved with this Epson paper and their pigmented inks.

I'm really happy with the quality of images using vintage lenses with a digital camera. I love being able to use my FD lenses with my DSLR. It functions smoothly and helps me keep my equipment minimal.

I wrote a review for the 1/4 BPM too... so some of this is the same. I've been told my work has this vintage, or cinematic feeling, but that's not the reason why I use these filters. I like Black Pro Mist filters because cameras these days feel too digital and too sharp - to the point of where I think it detracts. It's entirely subjective - and I hate the cliche of saying it's my style but it is. The best way to describe the look of the BPM 1 is it makes your image or video look way less digital in camera. The halation in the highlights is very noticeable and it overall softens the feel of your image or video. Color grading with these filters is still easy, as these filters just changes the sharpness especially with how highlights fall off, and it doesn't quite impact the color itself - with exception to how saturated it is. If you want that dreamy, or incredibly vintage look, then get at least a 1/2 or 1. The filters are relatively inexpensive for camera gear, so give it a shot. If you don't like it for your everyday look, you never know when it'll come in handy for one-off projects!

Finally switched from my Old Nikon film to Digital .....Nikon was great then and now they ROCK

It is great to know we can still use our vintage camera.

Old school integrated amp with digital inputs. That's a good thing. It gives me a feeling of quiet confidence. It replaced an old Onkyo receiver that died. I bought an internet radio, so I didn't need a receiver. I use it in my bedroom stereo, so I don't need massive power; I doubt that I'll ever strain the 60 WPC power rating. I'm not an audiophile, and it sounds just fine to me. I wish I could offer glowing flowery reviews, but this thing just sits there and works just fine. It just sort of exudes understated quality and, hopefully, reliability. I've only had it for about three weeks, but so far I'm more than satisfied.

I have a lot of vintage glass.  The reason I went with Sony was so I could use it on a digital body.  Love using adapters!  Build quality is very good, in fact, it rivals that of the more expensive Metabones adapters.

I use a variety of adapters to convert vintage lenses for use on my two Leica digital systems. Of all the adapters I have used this manufacturer's are the best, and their support is superb! Thad

I ordered this for a few vintage cameras that I have. Nikon SP3, Nikon F and Canon Canonet. With exception to the Canon the cameras do not have meters and the Canon is not really very accurate and kills batteries. This little meter fits nicely on all three cameras (additional hot shoe mount needed for Nikon F) and looks great. The digital readout is very nice and this can be adjusted to read in third, half or full stops. I tested the meter against a Gossen Luna Pro as well as a Sekonic digital meter and so far all readings are accurate. I am so glad I pulled the plug on this meter and now look forward to taking it out in the field.

used for vintage box camera, thankful b&h keeps the old film available!