Panavision Xl2 35Mm Film Camera Or Super 35

I already have a messenger and backpack for my camera gear but I've been looking for a smaller sling bag form factor for my Panasonic G9 and 12-35mm f2.8 + 35-100mm f2.8 lenses. Many of may available options seemed to be a bit too tight for having the 35-100mm attached to the camera while also carrying the 12-35mm lens. Well, this bag was surprisingly even larger in person and easily fits the setup plus much more. The build quality is typical Think Tank quality; ie. great stitching and zippers super smooth, and is super easy to use. The only thing I wish that they didn't change about the v2 was that they got rid of the snap clip that made it super easy to take off an put on. Instead now I have to take the sling off over my head. And they also got rid of the ability to use the sling as a waist bag. Which was a bummer, as I am avid biker and like wearing a waist pack for my camera, so I can also use a camelback water pack on my back. All in all I am very happy with the purchase. And B&H delivered the package to my door in a day. Gotta love that.

I've had over 35 years of photography (in 35mm slide & negative film) that has been stored all these years in the original envelopes when developed, never been archived or digitized. I was so concerned with the quality of the plastic sleeves I was to store them in. These sleeves are high quality, thick & secure with 3-ring binder holes. They are beautiful when filled with film. I have over 120 rolls with 36 images each & only 1/2 are done. It was a great find to have these pages with 6 across 7 rows of space. I highly recommend this product for fragile film storage. Can't beat the price & well worth the cost. I am digital now, but to finish archiving the 120 rolls of film, I will be ordering more!

In the earliest days of the film era, I loved my Nikon 35/2.0. A few years back, I had picked up the 35/1.8 AFS because I could not see myself spending the money for the 35/1.4 AFS. I need this 35mm for events ( eg. weddings ) but not needing to shoot at 1.4 because most of pictures taken with the 35mm are around 5.6-8.0. Well, for the Z system, this lens is what I need. Sharp ( and sharper across the frame compared to the 35 AFS - very important for group pictures ) and not expensive ( yay ).. High recommended as part of a set of lenses for events.

I added this item to my Basic 35 MK2 carrier to scan my 35mm film with borders. I loved the look when I used to print in the darkroom, and am thrilled to be able to scan my film with borders now. This device keeps my film flat for sharp results, and includes helpful masks for various 35mm film sizes.

If your not super hyper about sharpness this 16-35 F2.8L IIwont be a big step up from the older I version.If you are a stickler for resolution, flare control, andless or no vignetting at 16mm with filters you'll be happyto own this lens.I say it's what the first 16-35 2.8 should have been.Comparing this II lens with the first I found all the hypeis true.Its sharper, has larger ( 82mm ) filter opening, betterresolution and better flare control.It is bigger and heaver, but I think it's worth it. ThanksCanon for improving this lens! Expertise: Professional Previous Equivalent Item Owned: 16-35mm 2.8L I, 28-35mm 2.8L Items I Recommend: 82mm multi coated clear and polarizer.

I added a couple of FX 24mp bodies to my system. I was lacking a full frame 35mm. I've owned Sigma art 35mm 1.4's in the past and aside from the center super image quality I was not really that exited by the off center performance. The IMHO Nikon offerings at this focal length really don't cut it. I'd used the Tamron 35 1.8 and it was pretty good so I thought that was what I had ordered. Yes, I'm a sharp tool. So when the Tamron 35 1.4 arrived I wondered how B&H made such a mistake. when I reviewed the order it was my mistake and I am so happy! This lens is out of this world great. It may be better than my Sigma art 50mm 1.4. The only things I could find to complain about would be a little chromatic aberration in some situations and that the beautiful metal barrel is dangerously slippery. Yes it is heavy, but that comes with the territory for super excellent fast glass. This one of the very best lenses I have ever used and I've had many many. If you are remaining in the F-mount and need a fast 35mm I am sure this is the very best auto focus one that you can possibly obtain. No I don't miss the VR.

This bag is super underrated. I've had it for about 6-months now and it's better than the Panavision AC bag that everyone has. The only gripe I have is how tight the exterior bottle holders are (it will fit canned air but it's an extremely tight fit). The bag is also very large around the same size as Panavision and once you start to fit all your AKS it can get very heavy, but it can hold everything you need as an AC! I've also included a photo with the 3 popular AC bags I've seen on set: SHAPE, O'Connor, & Panavision (Large) for comparison.

Great battery and I'am using it with an Arriflex 35BL2 35mm film camera.

I was looking for a compact 35mm to go with my M camera. I was originally considering 35/1.4 for the budget but did a bit of research since this is a new release and decided with this. No regrets... it is pin sharp and the bokeh is smooth and beautiful.

I use this with my mirrorless camera and the Essential Film Holder. I scan tons of 35mm film and this light works perfectly.