Phantom Wireless Speakers

Using my AT 4053 b and a XLR Phantom wireless!

If you have rokutv a must have wireless speakers by roku

We need some way to supply phantom power to a condenser microphone feeding into a Sennheiser wireless transmitter. This proved to be the perfect solution. Its construction is first class and it works flawlessly. We're so thankful we were alerted to this product and highly recommend it.

I recently purchased a Lav wireless mic system so i can use it as a wireless XLR cable to place microphones where a cable can not be ran practically as I do video for live productions. However the Lav system does not support phantom power, enter this unit. It solves that issue where now i can place a Mic remotely and supply it with phantom power. I use it with those small USB phone chargers, so it is battery powered and lasts a LONG LONG LONG time on a single charge so no issues on that side.

This is a fantastic way to get either wireless or wired options using the same lavaliere microphone without having to purchase multiples, which would be far more expensive. I already owned a dual-channel wireless transmitter and a couple of AT-899 omnis, but their connectors are not XLR and their phantom power levels too feeble for use as wired mics. Using this adapter, the AT-899 can be plugged right into an XLR with phantom and used wired, which is great.

Ive been using it for 10 video shoots with a wireless phantom condenser setup and havenʻt had to change the batteries yet! Great clean sound!

I have two XSW-D wireless lavalieres and I long story short I ended up with a spare receiver, so I added this transmitter. It works as perfectly as the rest of the transmitters I have, as long as your XLR mic doesn't require phantom power. That's the only drawback to this unit, but I imagine the battery life (rated at 5 hours) would be terrible if it had to provide phantom power.

Bought this to block phantom power generated from Focusrite Scarlett 2i2 so I can connect a Wireless Go II RX output while the Scarlett 2i2 is providing 48 vDC to a condenser mic connected to the other XLR input.

I got this to interface either a pair of Lectrosonic wireless receivers or a Rolls phantom power unit to a Ninja V audio input. Yes I wish the Ninja V had mini xlrs, but it doesn't, hence this cable to finish the route. The color coding is a nice touch, easy to spot even in near darkness. In my setup channel one is on the right because I wanted it to feed from nearest end of the Rolls to the Ninja. The single run from the Rolls box keeps the cables down to a minimum. The cables are so light and flexible that I can leave the Rolls and cables on in my carry case. One less thing to set up.

I normally don’t make reviews, but I thought someone should come in and defend the honor of this gadget after a couple less-than-stellar reviews. For a DSLR/Mirrorless shooter, this thing is a must-have. It’s just a supremely handy thing to have in your bag when you need it. When I’m shooting for the big screen, or need isolated audio tracks or phantom power, I’ll pull out my MixPre. But for simple web videos when that’s overkill (whether interview or run-n-gun b-roll), this thing’s great when you want to get 2 audio sources into the 3.5mm input on your camera. Obviously, there’s no pre-amps or phantom power, so I tend to only use with sources that have their own built-in preamps (like wireless mic receivers or a Røde videomic pro). I can lav up two subjects with my Sennheiser wireless mics and record each subject to a separate channel on my camera (on on the left, one on the right), which is amazing flexibility to have. Or I can run a wireless lav into one channel and my Røde Videomic Pro into the other and have that great lav/shotgun flexibility. All in all, can’t say enough good things about this device. Dollar-for-dollar, no device expands the audio capabilities of a DSLR/Mirrorless camera like this thing does. Just make sure you set your expectations right. And that means plugging in devices that boost their own signal.