Plastic Drawers Target Small White

I love this target! It is nice and small, I can fit it right in my camera bag. Really works well for both white balance and exposure!

I had a small white card, but decided on the larger size. It is still small enough to fit in my camera bag, but a larger target to use for white balance.

I have 4 of these. They took the place of random storage in plastic bags and the bottom of drawers. I like them because they are waterproof and secure, yet easy to open without breaking a fingernail, unlike some other competitors. Not expensive and highly recommended.

Makes Custom white balance a snap. Target makes focusing a breeze.

small size fits in my office drawers , but handy when needed . I like that you can use different widths of tape and different colors for what ever job you need it for.I use it every couple of days to label things that I want labeled.

Nice target but not needed small target works just fine.

White umbrella, comes with plastic sleeve for storage

Simple and easy to use. Small. B&H customer service recommendation was right on target.

A well made flashlight, small but lights up its target. Easy to carry, batteries last.

I got a 14-inch version for narrow spots, and that worked great, but I immediately got this 24-inch size because my camera requires filling the viewfinder for Custom White Balance and the 24-inch size allows me to shoot from far enough away that I do not get into the light for the shot. It also is a little more polite if you are asking someone to hold it for you and you don't have to invade their personal space. I tried the triple-tone target out of frustration with inconsistent results with hard-surfaced gray/white cards and exposure disks of various types. I have to deal with a lot of reflective surfaces and confined spaces doing product photography. The triple-tone fabric is easy to set up because it is less susceptible to reflecting light when metering, and you can toss it almost anywhere. Other reviewers have expressed concern about it not being a certified tone, but that doesn't seem to be an issue, maybe because we are measuring relative color variances. The triple tones do seem to make a good exposure target for setting up the shot and also for post-processing for setting the software eyedroppers and for general evaluation of the scene. The white, semi-luminescent reverse side is quite effective. In an early-morning outside shot a couple of days ago, I metered about a ten percent lux boost reflecting soft light into a corner of an electrical enclosure from about five feet away. It is light weight enough that I could just hang it with some gaffers tape.