Professional Digital Cinema Camera

Good mattebox , looks professional , performs professional , works great with my blackmagic cinema camera .

pro user, digital cinema, comercials, documentaries, etc... @

I use this Pelican Storm iM2500 case to store my RED ONE digital cinema camera and a few accessories. It's a tight fit, but everything is well protected and nothing shifts around. I love the secure-yet-easy-to-use latches, and the bright yellow color stands out in a sea of black cases. The best part? It can be taken as a carry-on bag on an airplane. I wish it weighed a bit less, but the protection it offers is unbeatable, so I can't complain.

Great Cinema Camera.

best cinema camera

For working with digital cinema, this is one of those must have filters. Its not always the right filter for the job, but when it is youll wish you had it.

The Black and White Mode is the first real film look i have found in any professional digital camera paired with the metal body, size and overall rangefinder design with the addition of the mode dial have all restored the digital camera back into the long historical evolution of the street photographer's camera.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I've had 10 different digital cameras. I've done professional video and stills throughout my working life. My G9II (and Gh6) is the best camera I've ever used. The AF on the G9II for BIF and sports is extremely good. The video is a professional grade documentary or B roll cinema camera. Pair it with Panasonic PL grade lenses and it becomes a tool with which you can do your best work. The handheld hires is amazing.

I am not a professional photographer but enjoy taking photos. This is my first monochrom digital camera and it is really impressive. The quality of the photos is really amazing. I also have a Q2 but the B&W output from Q2 is definite different from the Q2 monochrom.