Sanford Mechanical Pencil 1.2 Mm

Great lead supply for my mechanical pencil. These are very thick and so far, not a single has broken even when I extend a bit. Very happy with these lead refills.

This works very well on my 7artisans 75 mm F 1.2 5 lens. It will not work with the lens Hood.

It didn't read very well at first to the RP but it still works. Hopefully they'll make a 1.2mm. Nifty fifties always good to have with any camera.

Bought this to use as a second portrait lens on my EM5-2. Was using my Panasonic/Leica 42.5mm f/1.2 as my primary portrait lens. I needed something with a shorter focal length for some indoor and outdoor portraits where space is tight. This 25mm f/1.8 is perfect for the job. I love the look I get out of the photographs. Good image quality. This is a nice bright fast lens. Can't wait to try it in other types of photography.

The E-mount Viltrox 75 -f/1.2 works perfectly on the a6700. As noted in virtually every review it's sharp even wide open, has excellent contrast, sweet portrait perfect bokah and exceptional low-light performance. Its combination of very fast aperture and short-tele (112.5 mm FF Eqv.) focal length is unique and it's price point is 1/3rd of what a comparable lens from Sony might cost. As you might expect, it's a little front heavy on a light body like the a6700, but it's easy to quickly adjust to the front balance. It's obviously ideal for portraits, and I'm also finding that the 112.5 mm equivalent focal length is usable for most street photography. At distances of 8 to 10 feet the massive front element is not too subject intimidating and the super-precise a6700 auto focus results in sharp eyes even with the very thin 0.85 inch depth of focus (at 5 ft distance and f/1.2). At 10 ft and f/2.0 the plane of sharp focus is more forgiving at about 5 inches so makes for easy, quick AF candid shots. Sharpness and contrast exceeds my classic (much more costly) Sony-adapted Canon 50 mm f/0.95 manual-focus full-frame lens. Bottom line: This lens is unique and is an extremely useful creative tool for Sony APS format camera users as long as you understand the capabilities and limits of large aperture photography.

Very sharp on f/1.2 , ultra sharp f/2 from f/11 result is marvelous incurable this price ($98)for super performance . Nikon 50 mm s f1.8 are $600 - 6 times not f/1.2 I used only trust Nikon lens for last 45 years . the game change now TTARTISAN are better reputation they should make last 10 yeas ago , some samyang lens also excellent - I got 35 mm f/1.4 , 8 mm fisheye , 12 mm fisheye lens ( I will get 135 mm f/2.0) I got Mitakon 135mm. Waiting for TTARTISAN 17mm f/1.4 new product , hope i’ll get it soon . don’t wait too long just get it use for street photography or any thing any situation outdoor or indoor photo . very useful for portrait or product or things many different type of art photo . I’m lucky to find f/1.2 50 mm TTARTISAN lens very happy with this lens ,photo are forever,Thank you B&H Your support very kind.

I purchased this filter for a Canon RF 85 mm 1.2, B A filters are high-quality. I am not a fan of the new packaging and you should make sure you're purchasing them from a company you trust like B&H.

My assistant dropped my 85 m f/1.2 and the repair costs would be over $1000 so I debated whether to purchase the 135 mm f/2 or this. Unfortunately I purchased the 135 mm f/2 initially and regret it. Then I bought this beautiful magical lens. It is lighter and fast than the f/1.2, has crispness and colors in a range beyond the 135 mm. I am super happy with this lens and if you are debating between the 135 mm and this, please spend the $ and buy this one!

My favorite prime lens is a 50 mm. Over the years I have owned three along with a close cousin, a Micro-Nikkor 55 mm f/3.5K. Good lenses all, but hands down the Z 50 mm f/1.2 S is tops. And not just tops among my 50s; it is far and away the best Nikkor I own. The Z 50 mm f/1.2 S quickly became my go-to lens. It is solid and it easily earned my trust to deliver what I ask it to. Superior image quality. Fast and accurate focusing. Intensely acute even wide open. Out-of-focus areas melt into the background with fluid smoothness. The resulting bokeh isolates the main subject clearly and adds exquisite beauty. Edge-to-edge acuity makes it perfect for group portraits as well as for full height and to length individual portraits - think maternity. Coupled with a Z 7II, the 50/1.2 renders gorgeous colors, especially at ISO 64. In my experience as a stills photographer there is one knock on this lens: the control ring moves too freely to prevent unintended input. I set the control ring for ISO control (can also control aperture and exposure compensation) but, even trying consciously not to, I was constantly changing my original setting when hand-holding the lens. This became frustrating to the point I reset the control ring to have no function. However, videographers probably praise this easy movement because they can adjust aperture so very smoothly.

I bought this lens to replace the LUMIX 42.5mm f/1.2. The 1.2 was a spectacular lens, but it mostly sat on my shelf. I couldn't justify having so much money tied up in a lens that saw minimal use. At a quarter of the price, this lens is perfect. I use it for video when I need a longish lens and want that blurry background. Yes, it's plastic, but you probably won't notice a difference in image quality.