Shure Sm7B Dynamic Wired Professional Microphone

All I can say is Wow. You'll have to hear it to believe it. I tried it with a Shure SM7B microphone.

I bought this mic stand to hold a Shure SM7B mic, which is a heavy large diaphragm dynamic mic. This thing holds the mic without tipping, and also can be well adjusted with numerous adjustment points.

I swapped out the Shure SM7B for this because it took too much to drive it (I used a Cloudlifter) and the results were inconsistent and just okay, at best. I had read about this mic being similar in build, but a supercardioid condenser mic instead of dynamic. The sound was warm and clear like a dynamic, and no additional switches to fool around with. Just plug in your XLR cable and get to work. I re-recorded all of the podcast episodes (they're short-form) I originally used the SM7B for (none of which sounded the same), and finally got the pro-grade sound and consistency I wanted! I'm absolutely in love with it - you get what you pay for!

I have a Shure MV7 and although is a fine microphone. The Revelator Dynamic USB Microphone shows an amazing sound out of the box. I 100% recommend it for the price.

This is a broadcast-style microphone (front address), but it is NOT a dynamic mic. It is actually a small-diaphragm condenser microphone with a BIG sound. You get the absolute clarity and detail you'd expect from a small-diaphragm, but if you run it through a tube-based preamp (UA-610B for example), you also get a warm and full sound. To my ears, the clarity and detail are far superior to the SM7B or the RE20, and depending on your preamp, you can obtain that darker, rich sound of the SM7B (great for podcasting) or you can achieve sonic clarity (great for voiceovers). I personally run mine through a Cranborne EC1 preamp into the PreSonus Quantum 2626 interface and into the Studio One 5 Professional DAW. The EC1 can provide total sonic clarity or add a bit of mojo depending on your taste and needs. The only downside of this mic is that if you're looking for background noise rejection, you'd be better off with a dynamic mic (SM7B, RE20, etc.). This is a condenser mic and it shows in its sensitivity. If you have decent acoustic control over your space, I highly recommend the ETHOS for broadcast, podcasts, streaming, and voiceovers.

The Shure SM7B sounds incredible... when appropriately used. The first important thing to note is that this microphone is very quiet, so it needs about 50-60db of gain to get its signal up to usable volumes. Not all audio interfaces are created equal in this regard, so make sure yours has enough juice to power it. I needed to max out a Focusrite 18i8 (2nd gen)'s gain to get audible sound from it. Cranking your preamp's gain up so high may come with a price, and that's a low humming sound. It is possible to remedy this by providing the needed gain digitally or by adding a gate to the signal that targets and removes the hum, which is how I first heard the true potential of this microphone and became enamored by it. However, I ultimately opted to get a Cloudlifter CL-1 to do away with said hum and get a clean signal from the get-go. It works perfectly now. I can't recommend it enough.

Using this with a Shure SM7B Vocal Microphone and K&M PopKiller. I did have to use bungee cords in order to help support the weight on the Rode PSA1 Studio Boom Arm for Broadcast Microphones.

I recently added the Shure SM7B to my podcasting arsenal, pairing it with the Rodecaster Pro II, and the results have exceeded my expectations. **Effortless Setup: 5/5** The integration with the Rodecaster Pro II was seamless. The fact that the Rodcaster Pro II came pre-programmed for the SM7B made the setup a breeze. Within minutes, I was ready to hit record, thanks to the hassle-free configuration. **Outstanding Audio Quality: 5/5** The Shure SM7B's performance in the low frequencies is nothing short of amazing. The richness it adds to the lows is a game-changer for my podcast. The clarity is exactly what you'd desire for any vocal-centric content. It captures the nuances of my voice beautifully, making each episode sound professional and polished. **Versatility at its Best: 4.5/5** While specifically purchased for podcasting, the SM7B has proven its versatility. It adapts seamlessly to various vocal needs, making it a reliable choice not just for podcasters but also for anyone with diverse audio recording requirements. **Efficiency in Design: 4/5** The microphone's design exudes a classic and professional aesthetic. While it may not be the lightest option, the weight feels justified by the durable build. It instills confidence in its ability to withstand regular use. **Highly Recommended: 5/5** In conclusion, the Shure SM7B has significantly enhanced my podcasting experience. From its effortless integration with the Rodecaster Pro II to the remarkable audio quality, it stands out as a top-tier microphone. If you're serious about achieving exceptional audio for your podcast or any vocal projects, I highly recommend the Shure SM7B. Make the Shure SM7B your go-to microphone and take your podcasting journey to new heights.

I bought this product as another microphone for singing/podcast recording purposes. I've used Shure SM7B, which is legendary for many great reasons, but this microphone is my new favorite! I would highly recommend this mic to anyone who does voiceover, singing, and podcast work. It is pricey, but it definitely pays off!

I've using the Titan for a very odd use: as a microphone arm for a Shure SM7b, in a location that doesn't have enough space for normal scissors-style mic arm. It has more than enough strength to support both the mic plus a gain booster plugged straight into the mic, and it allows me to swing the mic up and out of the way quite easily. Build is as you'd expect at this price: solid as a rock. I expect this to last forever. Overall: it's pricey, but worth it.