Shure Theatre Microphones

I've used several different makes and models of gooseneck microphones and Shure is the best.

Use It with my Shure Beta 58 microphones. Great sound.

Selected this based on an article in one of my theatre journals. In past productions, I have put headset microphones on my student performers. Bad scene-most couldn't keep their hands off the boom, and in some cases, they sounded like race horses huffing after a quarter mile. This mike will tape right at the hair line-no adjustments, no breathing noises, and solid audio from the performers.

In previous years, our High School Theatre Productions used Lapel microphones, to minimal success. This year we invested in a few of these Micro-Lavalier Omni Mic's. The change in our sound quality was immediate. I would recommend this product to anyone, and everyone looking to get away from the Lapel Microphones.

This was a replacement for one of our Shure Wireless Microphones at our Church. It fit perfectly, and now the microphone looks like new again!

A very good package using still one of the best dynamic microphones in the Shure SM57 after almost 50 years.

These are a perfect fit for the handheld wireless Shure PG58 microphones.

What else can we say about these classic microphones?.would be awesome to shure had included a pair of SM81 in the kit.

I've been singing for 17 years and this microphone is hands down the best one of all Shure microphones, in my opinion. :)

We had several systems with a mix of Shure microphones, and the rooms were huge- which affected our coverage. After we installed two of these and mounted them outside of the AV rack up high- we have had zero issues. We also used these in a church AV system that has the AV rack in the balcony. Complete satisfaction with this product. It has a very wide range and frequency to work with. Highly recommend if you have signal drop outs or using multiple receiver frequencies.