Sony 35Mm Camera Digital Cinema

I use this product on my Sony digital and Minolta 35mm. Works well.

This is my fifth Rokinon / Samyang lens but this one is not tested yet. It's my second cinema lens, & looks perfect. * One of the others is an automatic focusing lens for Sony, 35mm f1.4, and I have the brick for firmware updates. * I've had good luck with 'Elite Brands' lenses and with an old history in manual photography, have no problem with that. My digital cameras provide highlight colour focus confirmation. * Good to deal with B&H. This completes my current orders, thank you! -

I use this on my Sony 16-35mm f/4 on my A7S II. It's a great lens, but it's definitely too digital/sharp and this filter knocks it down a bit to look more organic.

pro user, digital cinema, comercials, documentaries, etc... @

I use this Pelican Storm iM2500 case to store my RED ONE digital cinema camera and a few accessories. It's a tight fit, but everything is well protected and nothing shifts around. I love the secure-yet-easy-to-use latches, and the bright yellow color stands out in a sea of black cases. The best part? It can be taken as a carry-on bag on an airplane. I wish it weighed a bit less, but the protection it offers is unbeatable, so I can't complain.

Use this product with my Sony digital camera alfa 5.

Great Cinema Camera.

best cinema camera

For my 35mm film/digital systems. Easy to cut/assemble the TrekPak dividers. Cameras, lenses, camera+lenses fit very well. Did have to remove the camera straps for a better camera fit. The quick-disconnect straps now have their own space. To eliminate any small wiggle with items, used 12in x 12in x 1/8in foam wrap sheets to further secure. The foam sheets (or any padding you may have) will also come in handy to cover the inside wheel and handle areas. Now it's Perfect+++! If you want a heavy, solid case, this is it.

Negative Supply makes a very comprehensive system for scanning film in all formats by using a digital camera and a macro lens. I needed to scan 35mm, so I bought the 35mm LED light source, the 35mm Pro Film Carrier, and the Basic Riser (to which I mounted my digital camera). Everything worked perfectly! By using this system, negatives can be scanned quite quickly, doing an entire roll in a few minutes. Mounting the camera on the riser makes the camera perfectly parallel to the film. The film carrier keeps the film flat and, combined for a good macro lens, my scans were very sharp. Negative Supply's website (www.negative.supply) has a complete explanation of the entire system, including videos on how the various components work.