Sony Digital Camera Repair

Use this product with my Sony digital camera alfa 5.

I use this battery with my PMW-F3 sony camera. I also use other sony batteries for my digital camera and digital video cam. All SONY batteries last longer and get charged fast. But they are somewhat expensive.

Worked perfectly to attach a teleconverter to a Sony a5000 digital camera.

Works perfectly! Now I can use my 1950's Leitz lenses on my Sony digital camera!

The case is being used for my SONY.. digital HD video camera recorder. It is big so that it will fix and room for digital camera, the ligths, etc... So far (4-5) producer, would like to have one now.

I use it as a back up for my digital camera.

Nice set of camera repair tool. It does make your repairs easier!

When my 16-70 f/4 Sony lens needed repair it was actually a wake up call. All the reviews are true. The lens is small and light and easy to handhold! Even wide open the center is tack sharp and the corners good! Stopped down to f/5.6 the entire image is sharp. Distortion at both ends is visible but correctable in camera for jpegs or in raw via Lightroom lens profiles. Focus is quick and accurate and the bokeh is nice and smooth. The Sigma colors are warm and realistic. This lens is perfect for general photography, landscape, portraits, event and travel. This lens complements my 10-18 f/4 Sony; 60 f/2.8 Sigma; and 70-200 f/4 Sony. Great job Sigma!!

I replaced a Canon 500mm L lens that Canon refused to repair (stating out of service period). This not only works as well (IMO) with my Canon bodies, but paired with the MC-11 EF to Sony adapter - is absolutely excellent. The shots from my Sony A7 III paired with the combo actually exceed what either of my Canon bodies can produce. Very happy with this lens.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.