Sony Digital Cameras All Models

2/3 of a stop is a good value for my needs. the full stop was too much and 1/3 not enough at all.

Now, I can plug in a monitor to my Sony cameras, anywhere. I can see shots I've taken, I can show models.

I've used this on Canon 5d and Sony A7s series cameras for 8 years as well as other models. Great thing is as you move from camera to camera, you don't have to keep buying new cages and throwing out the old ones which only worked for 1 model. Because the pieces are all separate you can optimize the configuration for your camera and how you use it. I use this cage with follow focuses and have had no real issues with slippage despite lack of anti-twist pins on most cameras . I mount Atomos and SmallHD monitors, shotgun mics, indipro LPE6 dual battery holders, and HDMI locks. Rock solid. Small Rig has a full range of accessories. Enough 3'8 and 1/420 holes so that there is never really an issue with attachments getting blocked. You can get taller or shorter cheese rods to adjust to your camera height also. Also great for hand held shots.

Fine example of engineered design and manufacture. This case is designed for two Sony cameras and no more models or camera manufacturers. Too many many cases are today portrayed as suitable for a multitude of cameras and are actually suitable for none. Excellent and completely suitable for the two models - well worth the cost.

It was well priced. I like it as it can be used for all three models of Canon cameras I have. Very useful.

I have 1 for each of my 4 digital cameras because they are the do everything lens.

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

i use this lens on both leica film cameras and on a Sony NEX-5 for digital. It is very well built and very versatile. I love the 1.5 aperture for portraits and I find the bokeh very pleasing. Some do not like the style of the photos generated by this lens, but I do very much. On the Sony, it is a joy to use and very easy to manually focus with the focus peaking feature and manual assist. it takes 46mm filters so you may have to get a new size if your other leica lenses are 39mm.

I always carry a fully charged extra battery when I plan to use my digital cameras, and I have more confidance in Sony batteries.