Sony Digital Cameras Dslr 2017

I have been using Sony cameras since they began making digital SLRs. I have owned all the major DSLR(T) and mirrorless models. In my opinion the a7Siii is the most significant of them all. I almost bought the Canon R5 instead but decided to give the a7Siii a try and have not regretted my purchase. I pre-ordered from B&H and they delivered on time!

This is my first DSLR, having shot film since 1980, and so far, I really like this camera. Since I have nearly zero experience with digital photography, the learning curve has been very steep for me, but as I gain some time and experience with it, I am finding that it just works as it should. I have collected lot of Nikon glass over the years, and this camera can use it all, even my pre-AI 300mm F4.5 telephoto lens. which mounts just fine. The price and availability of color films is what finally made me decide to try digital. Had Kodak Ektar 100 not more than doubled in price, I would still be happily shooting color film and avoiding digital altogether. I still shoot black and white film, and will continue to do so as long as it is available for sale. But for color, the Nikon D780 will be my main camera. Overall, I am pleased with my purchase, and I'm happy that there are still DSLR cameras available for sale. I'm not very excited about mirrorless cameras. I guess I'm just getting old.

I use this as my personal tripod for super 8, super 16mm, and for digital dslr cameras. I like the fact that is small enough to fit in a bag and easy to set up but powerful for sure and with a real fluid head movement. I cannot think of anything bad about it other than I am not too crazy about the mid level spreader but other than that is a dream come true.

I have been taking digital photos with point & shoot cameras for years, but finally decided on this DSLR. Small, light, and amazing! Very pleased with the quality of the photos just using the P(rogram) setting, but it can do so much more. The 2 lenses in the bundle compliment each other perfectly. There is so much here that a dedicated book is a must; I downloaded the ebook version of David Busch's Canon EOS Rebel SL2/200D Guide to Digital SLR Photography, which will go a long way towards helping figure things out. The LED screen is amazing, and the articulation makes it 10x more useful. Pros may have nits to pick with this 'entry-level' camera, but regular folks looking for a first DSLR won't go wrong with the SL2.

This one will work with all DSLR digital cameras as an introduction type lens. The higher grade 82, 87, 92, and 93 do not work with all the cameras

I bought this DSLR as addition to my Nikon film and digital cameras specifically because of the In-Body Stabilization which I would primarily use for macro photography. The camera's autofocus is fast/responsive and the IBIS gives me sharp images even when using non-stabilizaed lenses.

I have 1 for each of my 4 digital cameras because they are the do everything lens.

Can never have enough for my DSLR and Video cameras.

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.