Sony Digital Motion Picture Cameras

I bought this to be used with both digital film and a 35 mm motion picture film camera to smooth out skin tones and still retain detail. Also for a subtle bloom of highlights. It works perfectly.

USE IT TO SET UP A DIGITAL MOTION PICTURE CAMERA ON THE RIGHT DOOR GLASS OF A CESSNA 172SP TO SHOOT TAKE OFFS AND LANDINGS. GREAT FOR REVIEWING MY PRACTICE SESSIONS.

I've been in photography, motion picture and digital video for like 50 years. This lens is great! I was unsure about image quality but bought it anyway based on reviews on line and I was not disappointed. The construction is solid the optics appear to be first class and the only thing I can say bad is I'd like the focus ring to be a little more stiff. I'm sure a bit more grease would cure that.

Sony is the best television great pitcher sports incredible motion picture very happy with my Sony thank you Sony for a great television.

These micro sdxc cards are great for action cameras, digital cameras, file/picture storage, and drones. For a cell phone (anything that runs apps) I'd recommend getting a card that is rated A2. I'm using this in a GoPro Hero 7 Black.

Great 4k picture but Motion however results in a lot of artifacts which is not related to my WiFi which is excellent and full bars since I have the router 15’ from the camera…, the motion artifacts though I guess is expected at 15fps… I only wish they had a 4k 30fps for the fusion or even better 60fps for less motion blur to complement the excellent picture quality (and double HDD space to deal with the extra data). I would prefer 100% wireless POE too but it wasn’t an option on this dual camera when I bought it. Great camera though, I would definitely recommend.

I have 1 for each of my 4 digital cameras because they are the do everything lens.

Picture taken with a Sony A7 II mirrorless digital camera, Sony LA-EA5 A-Mount to E-Mount Adapter with an A mount Sigma 70-200mm 1:2.8 APO DG HSM lens.

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.