Sony Electret Headphones

We use the Sony ECM44BMP Electret Condenser Mic for the Sony WRT-805 Body Pack (Transmitter) and it really works well in terms of mic pickup and clarity of the speaker's voice.

I am using the INV-6 on my upright bass (the mic is an old Sony ECM-23F back-electret mic and the INV-6 is monted to an ExplorAudio H-Clamp SPIRIT Mic mount. The INV-6 does its job of shock absorption VERY well and at the same time doesn't stick out as far as the spider type shock mounts.

My Sony headphones look like new! AMAZING!!!

I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way.

I love my new Sony headphones and the shipping was really fast!

The sound really came alive using these cans. Sony knows headphones.

Fit perfect for my Sony headphones

Sony MDR-7506 Headphones are one of the most prestigious headphones for audio production for a reason. Highs, mids, and lows are crystal clear and I'm able to wear these for hours without the ear pain. Could not recommend these headphones enough.

[This review was collected as part of a promotion.] The Sony Wireless Noise-Canceling Headphones are fantastic. The ease in which they sync up to your phone and the listening pleasure I received. I couldn’t believe how all background noise is nonexistent. I tried it around my grandchildren and it worked like a charm. I heard nothing but the music coming from my headphones. And that was it. I’ve been looking for headphones like this for so long.

I use these earpads with rather old Sony MDR-V6 headphones. I have found them to be very comfortable.