Sony F828 Digital Camera

I’m new to IR photography. I’m using a Sony F828 with the magnet hack (Google it) & various external filters. I started with standard filters such as 720nm & 850nm but wanted something to pass more color for a more interesting twist. This 550nm delivers; it was worth the wait. It’s a lot of fun and making me enjoy photography again. There’s a lot of information out there about post-processing. Play with channel swapping (Photoshop channel mixer) to flex your creative muscles.

Very happy with this filter for use on a Sony DSC-F828 with Night Shot mode activated. Set ISO to 64, capture mode to RAW, stop it down with ND filters as necessary, and shoot using a tripod. The infrared results are very good.

Use this product with my Sony digital camera alfa 5.

I use this battery with my PMW-F3 sony camera. I also use other sony batteries for my digital camera and digital video cam. All SONY batteries last longer and get charged fast. But they are somewhat expensive.

Worked perfectly to attach a teleconverter to a Sony a5000 digital camera.

Works perfectly! Now I can use my 1950's Leitz lenses on my Sony digital camera!

The case is being used for my SONY.. digital HD video camera recorder. It is big so that it will fix and room for digital camera, the ligths, etc... So far (4-5) producer, would like to have one now.

I use it as a back up for my digital camera.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I have purchased L-Plates for every camera Ive owned since 2003 (the Digital Age), and Sony has been no exception. They keep the weight and lens centered on a tripod in the vertical position, and help protect the camera, somewhat like a roll cage. Cables attached to the side (e.g., for video) are protected, and that protection can be augmented with an Arca cable clamp. The RRS L-plates have two sockets for straps with a military-style quick connector, which is a secure way to carry the camera and easily removed as needed.