Sony Professional Cameras Hd

Using it with our Sony HD Cameras in our TV Studio, and they work great.

i am very impressed with this camera. i work with many professional cameras, and HD equipment and this camera's quality over exceeds it's price. i would recommend this with no reservations! there aren't many settings, but in most cases that is a big positive for a consumer level HD camera. this makes my personal HD video collection so easy and fun.

Works great to protect the cameras lens (anon XA10 HD Professional Camcorder)and get great shots in doors and outdoors.

perfect solution for using either small Sony HDV cameras, or smaller Panasonic HD cameras with my full sized jib's zoom.

This is a excellent OLED Field monitor and an outstanding HD and 4K recorder. The MultiStream option makes it ideal for multicamera shoots and excellent tool to have on field productions when you are matching cameras. I have three of these and am planning on purchasing 5 more. I use the Odyssey 7Q with the following cameras: Sony FS700, Sony PMW F-3, Canon 1DC, Panasonic GH4. I have been able to mix and match cameras on the odyssey with very few issues. The customer service support is one of the best in the industry. They are very professional and patient. I have had to call for various reasons and they have always been very responsive and helpful. I even had to return a unit that was giving me problems and they repaired and return it to me promptly without any hassles. This is a great investment and I strongly recommend it.

Used the HD-SDI cable for connecting our new Sony EVI-H100S PTZ cameras. Cable pulled great through conduit, just make sure you protect the BNC connectors while pulling.

Great for professional cameras!

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I do professional videography but I started out years ago shooting on a Pentax K1000 film camera. I bought the a6000 primarily for shooting video with a large sensor camera. This camera is fantastic. At around $500 there is nothing that comes close in features and it has a aps C sensor which is found in 90% of all dslr and mirrorless cameras. I’ve seen canon 1” sensor point ant shoot cameras for hundreds more. I shoot low light wedding videos on this camera and the video looks fantastic. It also shoots video in Sony’s xavc 50 mbps format which is found on Sony cameras and pro camcorders costing thousands more. This small camera is a beast!