Sousaphone Like Instruments Brass

This is a work horse mic used by every sound engineer to record any type of instruments:brass, percussion, etc.

I use this mic to record string and wind (brass mostly) instruments.  The different patterns make it effective in a variety of spaces depending on whether you want to reject other sounds or include reflections.  Versatile and great sound quality.

High quality filter, as I expect from B&W. Like the brass ring.

This is a simple device but well designed. Like brass as it screws on much better than plastic ones. Highly recommended.

This is a phenomenal filter. Like all other B+W filters, the Schott glass and brass construction is rugged and optically perfect. The filter ring is thin enough that I have not noticed any vignetting on any of the wide angle lenses that I've used it with. If orange is the contrast filter that you need for your work, you can't go wrong with this filter in any size.

I have an extensive collection of ribbon microphones in my mic locker that I use on a regular basis, mostly live, but also in the studio. When the N13 came out, I ordered it as soon as I could.  AEA makes up a good part of my inventory and I knew it was a good bet that the N13 would be a quality microphone. Since purchasing it I have put it through its paces on a variety of sources.  Piano, electric guitar, acoustic guitar, trumpet, flute, vocals, drum overhead, sousaphone and steel pan. The N13 has all the same great characteristics that you would expect from a ribbon, but with something a little more.  With a shorter and thinner ribbon than the other AEA Big Ribbon Mics, the N13 has a better impulse response which translates into a much more detailed signal.  Although I have seen it described as brighter, I would stick with detailed.  Often ribbons are used to tame the highs on drum overheads, brass and especially steel pan, the N13 was wonderful on these sources as the detail was there, but I never felt like I needed to tame the high end and there was absolutely no harshness.    On vocals, I still have the same wonderful ribbon response, but the extra detail which captured breath sounds so smoothly, and added an intimacy to the vocals that was something I didn’t know I was missing until now. The sousaphone was my favorite use, as it was a fusion band, with a New Orleans second line feel, but with electric guitar, bass, drum kit and trumpet.  The N13 made the sousaphone big and bold, but the detail added and element that really made it work in the mix like never before.   For the finale, I was even able to work it into the sub, it was huge.   I definitely plan on adding more to my inventory as I definitely want to use it on multiple sources for some shows I do.

Great for Vocal and Instruments!

brass works!

I like the brass construction.

Great replacement lamp for all of our instruments.