Studio Monitor For Electronic Drums

Excellent sounding amp for electronic drums. I have an Alesis Command set and the bass response from this amp is terrific. My only qualm is that you cannot use the headphone input to 'monitor' your playing, while mixed in with an iPhone, etc. - either the speaker is engaged OR the headphones, not both simultaneously. Therefore, I use a second monitor (which offers bluetooth) as the music source, then output that amp to the KAT - which inputs my headphones and drum module.

Use these to connect the Line output from an electronic drum monitor (used with my Roland V-Drums) to a Yamaha analog mixer. Work great.

Perfect. Just what I was looking for to keep the cables that I have for my computer and electronic drums organized. B&H had these delivered to me in no time at all. I would highly recommend these. They're well-made and the colors make it easy for you to remember what cable goes where. Thanks B&H!

Modeling light for Studio electronic flash

... and other loud environments! I monitor my drums while recording through these. They cut outside sound so well that I can hear the click-track without cranking the volume to absurd levels. I use them just for hearing safety without any audio playing through them while practicing also! On the street for boom mic handling, for mixing a live recording in a noisy club, or anytime you need great sound with maximum isolation these ROCK! The frequency response is pretty accurate - not as pleasing to listen to (sweet sounding) for extended sessions as, say a nice set of open-backs. If you need to monitor these are exactly what you need... If you listen for pleasure in quiet environments you should check out Senn's open-backs also.

I use this in my home studio for recording. Has a lot of bells and whistles if you need them. Mostly, I just use it to manually tap out the drums and percussion while recording but it is certainly capable of much, much more. I love the variety of sampled drum kits and the recorded sound is indeed authentic. I doubt most people would guess it's not performed by a real drummer.

The 414 has earned its place as a classic microphone. I had been using Rodes as overhead mics for drums in my studio, but I had never been satisfied, they just couldn't bring out the details and the delicate nature of the cymbals. The 414s do that, while retaining oomph in the toms.

I needed a short mic snake to go from my drums to my audio interface in my studio. This was the perfect solution. Everyplace else wanted to sell me a huge snake with more inputs than I needed claiming it was the smallest one I'd ever be able to find. Wrong! Great product. I would recommend it to anyone in the same position.

I run a pro studio, and these are great for isolating tracks for the musicians, of which I am one as well. Used mostly on drums, vocals, and acoustic instruments to maintain their sonic integrity when tracking. They are close enough to the Beyerdynamic DT880 Pros I use most of the time to get the job done without any fuss, and at a decent price point.

I always liked the sound of a Sennheiser microphone and used Audio Technica and Rode shotguns in studio. There is nothing wrong with the Rode NTG2, or the Audio Technica mics I own. I just wanted some industry standard sound in the studio. I was using a Neumann U87 for voice overs until today. I compared the two and the MKH-416 had an instantly usable sound with little to no eq. The bass is more pronounced on the shotgun mic as well. On drums, I used a pair as overheads but further away from the drum set than normal. I could pick up the details of the brushes on the snare head with incredible detail and the balance of the drums were nice and full. I was very impressed and am glad I picked up a pair when they were on sale! If you find a good price for them, it's an amazing mic to add to your collection.