Taylor Gs Mini E Rw Acoustic Electric Guitar

Lightweight and durable. Perfect fit for a Taylor GS Mini acoustic guitar. Nice look and feel.

Use to store my child's Taylor GS Mini-Electronic Rosewood guitar to protect from drying and other physical damage. Safely keep her instrument in this premier guitar case while monitoring internal humidity and temperature of the case with hygrometer. Damage proof rendered by heavy internal foam, guarranteed protection from accidental bumping, dent or scratches. Retains the famous Taylor guitar grand symphony sound and value while it safely resides in the SKB hard case. Very well worth the money.

Perfect fit for my Taylor GS Mini. Nice construction -- well made.

The soft case that came with my new Taylor GS Mini is nice, but I am in favor of a case that offers better protection. I have always owned hard shell cases for my guitars and this is the fourth guitar I have owned. I also think that it is easier and better to control humidity with a hard case. The case is not very heavy, which is a plus, but it also feels sturdy. Also, while some have complained that the storage compartment is too small, it is fine for me. Holds a set of strings, a capo, picks, wire cutter, and my little clip-on tuner.

It's the only hardshell case made to fit the Taylor GS Mini. It's a great fit, seals well and feels like it would take some real abuse while protecting the guitar.

I perform/practice with both acoustic and electric guitar and use three different picks. Before I bought this little device, I spent many frustrating seconds searching for the pick I wanted. The pick holder solved that dilemma. It isn't a big item and it wasn't a big problem, but it removed what was a constant source of petty frustration. As with everything I own from K&M, the quality is superb. I spent a more for this brand because I am so impressed with their guitar stands. Oh, and it comes with four picks which are also fantastic. And in case you're wondering, I don't work for them or get anything for writing a review--good or bad.

This is the upgraded version of the sm57; more dynamics, more detail. Generally, the sm57 are used to capture acoustic or electric guitar and drums. I found out that the Beta 57A does an excellent job on my voice, and just had to buy one for my self. Great value for the money.

I use the System 10 for my acoustic guitar , electric guitar as well as vocal mics and instrument mics . I use the System 10 for on stage use and for studio recording . I get clear signals with no cut-outs and awesome sound ! With a great price point ! Sincerely , Derek

so far I used the fat head for acoustic guitar, electric guitar cab and vocals. It provides a warm and natural sound I could not achieve with my condensers or my sm57. the highs are open but not harsh, I wouldn't count on it to pierce through a dense mix on vocals, but for folk rock kind of stuff it's beautiful. On acoustic I used it as the mid mic in a mid\side configuration with a 414 as side, I had to pull out a little around 200hz, loved the warmth and openness it provided. can't wait to give it a try on some brass. It's surprisingly heavy and feels serious.

This microphone is amazing truly amazing and can be used for pretty much anything vocals , acoustic guitar , electric guitar , drum overheads etc. It is a total workhorse! and the quality is truly phenomenal especially given the price! The bass roll off and attenuation pad allow for custom and diverse sound applications its so nice to have choice and diversity in just one microphone, and of course again the quality that comes out of this thing even compared with professional studio work this things competes head to toe couldn't tell any difference, 100% worth it ! get this mic!