Tft Lcd Color Monitor Rear View Mirror Manual

It's made out of plastic if that bothers you. I use my camera's rear LCD monitor constantly for fine manual focusing. I'm grateful to have this product so I use the monitor in the bright sun. The magnification really helps with focusing too.

These radios are amazing. Installed in my Jeep above my rear view mirror and I am stoked about it. It’s small enough to not be in the way but is great for communicating with fellow Jeep’s. I used the ghost antenna so that it didn’t get wiped out by limbs on the trail. I’m thinking of purchasing the 6db antenna to help increase my range. I feel you can’t go wrong with this radio! Will be purchasing another for my sons Jeep.

We rarely use the rear LCD and use the view finder most of the time. This makes viewing it much easier in bright sunlight and just snaps on to the camera. It will get in the way of your rear LCD. Works with our Sony A77 II. ~photosbymeta

This works well especially when trying to view the LCD in bright sunlight. I use it with my manual focus lens (a tilt-shift) by looking at a 10x magnification on the LCD live view. This was very difficult to see in bright sunlight. The Hoodman Houdloupe makes it easy. I especially like the adjustable diopter that make is easy view without wearing your glasses. There are times you may want to have it remain attached to the camera without holding it in place. You can buy a cinema strap for $20 or make your own for a couple of bucks. Both work but are cumbersome.

Product package consists of 2 glass protectors for rear monitor and 2 for top LCD panel. Easy to install using online instructional video. Fits perfectly. Highly recommended.

This paper is thick and very textured. I'm using it in an Epson 3880 and it feeds well in the manual rear feeder. The color is a bit warm; the matte finish doesn't get super black. But for the right image, this can make a wonderful print.

A very good mirror lens with manual focus

In the mid-1980s I bought a Nikon 7.5mm f5.6 circular fisheye. Being an older design (1966) its rear elements protruded into the mirror box. Fortunately my F3 had a hard physical mirror lockup. The external viewfinder for this lens attached to the camera on the original Nikon F/F2’s proprietary flash shoe. I was able to buy an AS-3 flash adapter for the F3. With the F3s mirror locked up I also had to use an hand-held light meter. With amazing depth of foield focusing was never an issue. The old zoom lens had six filters on a wheel. One was a skylight and the other five were strongly colored for B&W film. While I liked the circular results, using the lens was a hassle. I often had my shoes or forehead in the picture. On a sunny day, my images suffered from solar flares. My new Nikon 8-15mm AF-S fisheye has none of those old problems. It fits on my DSLRs without any problem. It doesn’t need an external finder or separate light meter. At the 8mm setting (and lens hood off) I get a circular image very much like the vintage fisheye. The new lens is faster and focusable. Like my 14mm f2.8 Nikkor, this zoom uses gel filters inserted in the rear of the lens. I really don’t like this arrangement. This fisheye is similar in weight and size to the 14mm lens. I am also not fond of the electronic aperture control first seen on G lenses. Without an aperture ring one cannot use this zoom on older cameras. At the longer end of the zoom range (12-15mm) the image fills the (FX) frame and lens hood stays out of the way. This image is similar to my inexpensive Bower (Samyang?) 8mm fisheye with its fixed lens hood (and DX coverage). So far I haven’t used my new lens much but I think I will like it.

Like many, I suspect, I was never able to truly match my monitor color to my prints using the standard Windows color calibration tools. My vision is too biased (against green it seems!). This device removes that subjective view and substitutes an accurate color palette. The software is easy to use, the results very satisfying and the fact I was able to tune both the monitors in double monitor setup to a perceptively near identical appearance (you will never get to absolute identical unless you go to great extremes to exactly duplicate external lighting and angle of view) was a testament to the SpyderX's effectiveness. I was skeptical before I used this device, I am no longer.

The AHA 4K2HD made it possible to view my 4K productions on my SDI HD Color Correction Monitor. It's easy to use, just download the AJA Config, and you're off to the races.