Top 10 Professional Digital Cameras 2015

I've had 10 different digital cameras. I've done professional video and stills throughout my working life. My G9II (and Gh6) is the best camera I've ever used. The AF on the G9II for BIF and sports is extremely good. The video is a professional grade documentary or B roll cinema camera. Pair it with Panasonic PL grade lenses and it becomes a tool with which you can do your best work. The handheld hires is amazing.

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

There is no better screen protector available anywhere for professional digital cameras. I installed this on my new Canon 5D IV and the touchscreen continues to function flawlessly. It goes on with ease and you will be the only one to know it's there. Absolutely perfect!

TIffen has always made top quality product and I've always had them tucked into my filter case. Digital cameras need a set of neutral density filters in order to shoot at wider apertures when lighting with studio strobes.

I have 1 for each of my 4 digital cameras because they are the do everything lens.

I am a professional photographer for over 10 years now. Olympus entry level SLR's are the BEST out of all the big boys- plus the image stabilization is in the BODY- saving money on expensive VR lenses from the others. OLympus is the best bang for the buck- and the company is on the cutting edge of newer features and cameras like their EP-1 and EP-2 cameras. Don't go for the gimmicks of the other camera companies. All the big name cameras are great- but Olympus gives you more for your money. PLUS the ART FILTERS are nice too! GREAT IMAGE QUALITY AND CAMERA OPERATION!

As a professional who's worked with many cameras, both heavy and awkward, from film to digital, I'm here to tell you that this lens is truly outstanding in terms of performance, versatility and build quality. As of January 2024, this lens seems undervalued and underrated compared to Nikon's other exotic primes, both mirrorless and DSLR, if we're looking at the price of these used (half price for 9+ used B&H rating). Great images come with the use of a good tripod, proper technique and good light. Lots of people want to complain about weight, well this type of equipment comes with a price, and not just monetarily. You want fast glass, i.e. you want lots of light dumping through the front element? OK, these lenses are large and that means more heft, especially when you factor in the zoom. But don't forget with said zoom, you'll receive the glorious ability to make game changing compositional decisions. This is truly a one and done lens! 10/10 for me.

Great for professional cameras!

Great for digital cameras