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Used 48 Inch Refrigerator
x-leben | 2024-09-29 02:12:28 |
our refrigerator is covered with them! 5 |
Sean | 2024-09-22 02:27:21 |
If you picked up the 48 inch boombox then this is a must have. I mainly shoot in studio and need to have as much control as possible. This works great when its needed. I also leave it in the plastic and stuff it right into the boomboxs case so everything is together. 5 |
Patrick | 2024-09-25 01:34:51 |
Great stand for my 48 inch curved screen and my sim rig. Assembly was easy and even comes with all the tools you will need. With the wheels attached you can move the monitor to get the desired location. Also comes with adjustable feet in case you prefer a stationary set up. Just enough up and down adjustment to obtain the desired height. Solid enough not to move when force feedback shakes the wheel. 5 |
Jeff | 2024-07-07 09:10:35 |
If you are only going to have one bag for all your leggy tools, this is the one! It is long enough for turtle base c-stands and other 48 inch max length gear. For big load ins, I'd prefer several of these bags over a big roller bag - to spread out the weight. Would be nice if it had short loop handles in addition to the shoulder straps. 5 |
JerBear | 2024-07-12 08:18:14 |
After 14 years, my 40 inch Sony Bravia had to be replaced with a new 48 inch Sony. Could not be more pleased with all the updates of pictures and sound. 5 |
Ant D | 2024-06-18 08:38:43 |
Well put together, easy to use, great picture. Love the detail of this 48 inch display 5 |
Jason | 2024-06-17 05:35:38 |
I'm using this 48 inch bag to carry all my umbrellas. It is currently holding: one 7ft umbrella, two 60 inch softlighters, one 36 inch fake softlighter, two standard 24 inch umbrellas. The side pocket can hold 4 mini tennis balls to put on the end of your umbrellas so people don't poke their eye out. I also have the 42 inch size bag and am using that to carry a Benzo tripod + 2 small light stands. Together these bags are a great grab-and-go solution for location shoots, or for regular studio storage. The material and craftsmanship is great quality, and easy to clean. I expect them to last a good while. 5 |
Jerry | 2024-04-26 06:17:12 |
I wanted a material that would maintain a flat surface in the many orientations that it would be used, my sense was that the thicker the material the better for my purpose. I used sections of the TRANSLUM to cover two 24 by 36 inch flag scrims, and one 48 by 48 inch Mathews Road Rags scrim. Mostly, I am lighting the surfaces of the smaller 24 by 36 inch, scrims at a very acute angles to create even gradient lights which is reflected by the glossy subject products placed between the two scrims. The 48 by 48 inch scrim is held horizontally, and doesn't sag in this position (which was a key consideration in choosing the HEAVY Weight material. I recommend the product should you have a similar need. 5 |
Brent | 2024-04-23 09:25:30 |
I purchased this item over a year ago to reinforce my 48 inch slider. �When producing video for real estate and other gigs, it is important for fast change over from the DJI Ronin, to Jib, to Glidecam and Slider. �With ARCA acceptance clamps on each rig this is all possible. ��I like to repurpose my old useless equipment if possible. �Using an old Bogen tripod, I am able to eliminate the shake and dip as the 7 lb camera nears the end of the slide track. �It is far more easier to move a tripod and glider than it is to move the glide bar attached to 2 tripods. �I am going to purchase a second one for even more stability. �Seeing previous complaints of falling apart... �No issues with me. �Well built and holding firm with weekly use over the past year. �I keep it in the van collapsed with the Bogen plate, place it on the tripod, and clamp the support bar to one of the legs and I am good to go in a minute. 5 |
Jonathan | 0000-00-00 00:00:00 |
I got two of these for my 48 inch slider because light stands were too flimsy and tripods were too awkward. They work very well and are built EXTREMELY well, solid. I'm pretty sure these stands will outlast me. 5 |