Vintage Yamaha Guitar Amplifiers

I use it for guitar amplifiers and home appliances - have been working great.

Using it for guitar but appears to suit small amplifiers well.

I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.

Since obtaining this microphone, I have used it to mic up two different guitar amplifiers to good effect. Overall, the sound is warm and the bass response becomes more pronounced the closer it is placed to the grille cloth. Positioning the mic around six inches away produces a more balanced and useable sound IMHO. I have yet to try this mic with a Cloudlifter, which I believe should, when used in conjunction with the Fat Head II, yield a better, hotter signal.

I use the surge protector to power my guitar amplifiers and other accessories in my home recording studio. The long power cord affords me the ability to move the surge protector around the room without hassle. Lots of outlets and slim profile. Also a major plus is the low profile/right angle plug which fits flat against the wall allowing furniture to be pushed closer to the wall.

My son replaced his Yamaha electric guitar stand with this.

This was part of the package for the GL1 Guitalele - Nylon-String Guitar Ukulele (Natural) by Yamaha. It was all given as a gift and well received!

I play on my guitar but I'll never have a call to get in a band - I'm terrible. At least it's only me who can listen to it. For the Yamaha headphone? It's great. I've also listened to some old albums with them. Go ahead, buy them.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

I have a small project studio and my main guitar amp is a vintage 1967 Fender Princeton guitar amp. Before purchasing this microphone, I miced it with a classic Sennheiser 409 which records great tone but I wanted something a with a little more high end, enter the MK 4. The MK 4 adds a nice dimension to the 409 and I mix them both together to capture the Princeton the way I want it. It also did not break the bank.