Whirlpool Top Load Washer Lint Trap Location

I use a camera trap to shoot photos of birds flying to a specific location like nest boxes and feeders. The cam trap uses a lot of battery power. This unit extends the time I can be on site.

For a portrait 20x24 I used three on top and bottom and two on each side. These little strips rock - they just trap the photo on all four sides with nothing sticky touching the artwork.

Great sturdy stand. I have a pearl trap table with a mini mixer on top and a whole lot of cables, and this thing doesn't mind a bit. It is very well made and the base is very strong. I have not found anything to complain about yet.

Reels are easy to load, the top goes on and you are on your way. Couldn't be simpler.

Someone please tell me any other film washer better than this.

have two of these and purchased without the wheels.....much of my work is location so the wheels just seemed like a nuisance initially. Although I never have my scrims flown at full extension, I am super nervous above 12 feet and always heavily bag this stand. With that said,these are essential equipment for 12X12s and 8X8s, and that's what I use them for. I also have a crossbar pipe that fits in the drop pin to hold multiple lights at the same stand on super clamps; works great, as advertised, but I rarely have that use and I can only say that the stand holds up to four strobe heads with ease and safety. This stand is huge and heavy - as it should be - and for that very specialized use for my work I have had great results...you can get away with general uses if you're shooting feature length films. This stand will easily handle a 8K. Very possibly multiples on the aforementioned cross bar, if you are spending someone else money. again, this stand is a beast, very stout, well built ,and will handle most everything you can throw at it.....if you can stand the load in and load out.....eat your wheaties.

Great product, no lint, will order again!

Works great and have not seen and lint

High quality, Top of the top of the lights for any location/studio work. ARRI has worked hard for the reputation that they have, and they definitely deserve it. Mostly use these lights for location music videos/ cooperate videos and they surely do the job. Lights run hot, but any industry grip/electric will have a pair of gloves handy.

Simply put, this is a great combo stand. It holds my 22 beauty dish, Canon 580EXII, PW Plus II transceiver, and Opteka External Battery Pack with ease (all items on the boom). I also have used it with a Lasolite EZYBOX 24 softbox and held it all together with no load issues and/or problems. I've used it on-location, as well as in the studio. The large diameter footprint, sand bag counter balance, and good load weight on the boom (11 lbs.) is an added plus. Construction and build is great, in addition to the large size locking screw knobs throughout the stand. Lastly, it's easy to setup and breakdown with little effort; a quadruple plus!!! The only drawback (which in retrospect is a good thing) is the weight of the stand. Carrying it from location to location could be tiresome. However, it's good to know that it has a heavy foundation to support whatever light modifier and accessories you can throw at it. As with all booms, always bring extra sand bags for extra base support. Overall, an A+ product from this satisfied new user!!!