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White 68 Inch High Refrigerator

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White 68 Inch High Refrigerator

2024-08-28 08:40:25

Have a high end refrigerator that is plug in into it, so far so good!

5
2024-09-29 02:12:28

our refrigerator is covered with them!

5
2024-07-16 01:55:54

Even better than promised. Will try hooking it to my refrigerator.

5
2024-04-12 05:22:33

Strong enough to hold up a refrigerator, I think. Fits perfectly, of course.

5
2024-06-22 09:43:42

I'm 68 and had the receiver working in 10 minutes. Simple!

5
2024-05-15 04:56:13

Connected to my River, kept my portable refrigerator going all weekend

5
2024-08-21 05:17:36

I use this 1:1 at 68 degrees F for processing my TMY film. I love the results.

5
2024-07-12 07:57:44

Heavy duty. I use it to hold a 68" umbrella while working on cars.

5
0000-00-00 00:00:00

I find the Pure White to be a better white not only for high key but also without background lights and using the falloff from the main. Even though it's only 12yds, a roll lasts quite a while.

5
2024-09-16 03:43:25

I got a 14-inch version for narrow spots, and that worked great, but I immediately got this 24-inch size because my camera requires filling the viewfinder for Custom White Balance and the 24-inch size allows me to shoot from far enough away that I do not get into the light for the shot. It also is a little more polite if you are asking someone to hold it for you and you don't have to invade their personal space. I tried the triple-tone target out of frustration with inconsistent results with hard-surfaced gray/white cards and exposure disks of various types. I have to deal with a lot of reflective surfaces and confined spaces doing product photography. The triple-tone fabric is easy to set up because it is less susceptible to reflecting light when metering, and you can toss it almost anywhere. Other reviewers have expressed concern about it not being a certified tone, but that doesn't seem to be an issue, maybe because we are measuring relative color variances. The triple tones do seem to make a good exposure target for setting up the shot and also for post-processing for setting the software eyedroppers and for general evaluation of the scene. The white, semi-luminescent reverse side is quite effective. In an early-morning outside shot a couple of days ago, I metered about a ten percent lux boost reflecting soft light into a corner of an electrical enclosure from about five feet away. It is light weight enough that I could just hang it with some gaffers tape.

5