Woodwind Instrument Wind Symphony

I must admit, the first time I unboxed the instrument, I was amazed at the build quality. It has some heft, the keys are properly and ergonomically placed and you know Akai really took their time to perfect this wind controller. But as a long time saxophone player, the first time I actually played some scales, I was quite disappointed - it didn't feel like a saxophone. I was beginning to regret my purchase and thought about exchanging it for the WX5. So I gave it a few more days. Days turned to weeks, and I am beginning to appreciate this instrument. Keep practicing those scales, breathing with the mouthpiece and you realize how this is such an amazing wind controller. I made a mistake thinking that this is a replacement for a saxophone in an apartment situation. In reality, you should think about how this instrument can be an extension to your musical endeavors. The possibilities you can do with the sounds and playability are endless. There are a few usable synths prebuilt, but I suggest using the Akai EWI 5000 Editor to really play and edit your sounds then save it to the user bank. Also there are synths out there that can be used if you plug the EWI as just a midi wind controller; unfortunately you can't upload other synth sounds into the controller. Definitely give it some time to get used to the instrument especially moving from one octave to another. Keep practicing and you'll appreciate that there's hardly any moving parts here. I was opposed at it first since horns have that tactile and key feedback. But with the touch sensitivity, it really felt I was playing an instrument from the future. Again, you just have to get used to it - think about when mobile phones shift from physical keyboards to the modern phones we have today. And here I am today still keeping my purchase and writing a review. I thank Akai for making a top-notch wind controller and continuing the support for the modern electronic wind musician.

record symphony orchestra and chamber music

recording symphony orchestra and chamber music

When the brass, woodwind and large percussion orchestra filled the 600 seat auditorium with raucous music for Honegger's King David, the speaking parts within our 100 member community chorus didn't stand a chance of being heard. All our funds had been spent on orchestra and soloists. But the hall had a sound system, and I had a guiet old field mixer. I also had experience with a predecessor of the OLM-10. I took a chance and ordered six. For less than $150, they delivered excellent sound from voices among the singers. The omnidirectional pattern made for evenness with untrained performers. Their self-powering and 20' cords made hook-up very easy. Congratulations Pearstone!

This mic sounds very nice for vocals, plucked string instruments, and woodwind instruments (at least that's what I've tried it on). I highly recommend it!

Home recording of woodwind horns is a balance of price and performance. This mic brings up the standard without breaking the budget. The bad news is the rest of the links in the signal change will need an upgrade for us to truly enjoy the benefits of this exciting new microphone.

Use these to get stereo recordings of live shows: Mariachis, Woodwind quintets, Blues duos, Brass bands, etc. They work really well with a Tascam DR100 digital recorder with its XLR mic inputs. Edit with Audacity and save as wav files. So far, so great.

Can’t beat this little instrument for the money!

Fine instrument, does what it should do and more. I recommend it.

Wind bad, this good. Keep wind out.