Yamaha Hs7 6.5 Active Studio Monitors

I replaced my active monitors with the ELAC speakers and a Yamaha integrated amplifier. Since the ELAC has coaxial arrangement of tweeter + midrange, I felt it would work fine for near field listening. I'm very happy with the result. With nothing playing, the combination of amp with passive speakers has no background hiss. My old monitors had audible hiss and non-defeatable auto-shutoff unless the playback was kept sufficiently loud. I'm using an RME ADI-2 DAC feeding the Yamaha amp. I chose ELAC's Satin White with Oak Sides to escape the all-black look of my old monitors.

Works nice with Yamaha HS8 Powered Studio Monitors

As a long time user of KRK and Yamaha studio monitors -,I was blown away by the Sound reproduction of the 8010s! ..These little marvels have now replaced both my Yamaha HS5 and KRK rockit 5”s as my go to mixing monitors for music and film projects .,, could not be happier ..

These are actually the best active studio monitors objectively speaking. The best on the face of the planet revolving around the sun

Me and my son Keith love these Yamaha Studio Monitors. I have a professional Recording Studio and these Studio Monitors are a great addition to my studio.

The Avantone CLA-200 Studio Reference Amplifier is easily the best purchase I made all year. I own a pair of Yamaha NS 10M Studio Monitors and for years I just used random amplifiers to power them. I decided this year to invest in a better quality amplifier to improve the overall sound quality of my Monitors. After weeks of research And reading countless reviews I decided to go with the CLA-200. I must say the shipping was immediate and I received the new amplifier the very next day after ordering. I can't stress how impressed I was with the sound quality the CLA-200 brought to my NS-10's. The clarity and the frequency response was just amazing. I highly recommend the CLA-200 for any and all Yamaha NS10 users. You won't be disappointed!

I bought these stands for my studio's Yamaha HS8 monitors. They are great at holding the monitors in the air, in line with my ears, where I can hear them. They have locking pins in case the pressure knobs should fail. I don't have a problem with them wobbling or tipping because I don't bump into them. That's really the secret- be a reasonable human. After all, you just spent a lot of money on those monitors and stands! Don't run around your studio, don't record groups of small children (I'm talking about you Kidz Bop), make sure your mountain of blow is on the other side of the room, etc.- all the basic safety precautions a normal human would take when using expensive technology. These stands hold up your 8 monitors and do not fall down.

Fantastic for the studio monitors.

I have this as the sound processor for my kitchen system of JBL subwoofer and 2 JBL active monitors. I use it regularly and have had zero issues with its operation since putting it in service April 2017, now September 2022. This is not a critical listening area but it gets a lot of use. I detect no added noise. All controls work like new. I also have an older 215s and it too works just fine after years of service.

I use this to control my active mixing monitors and it does what it's supposed to. No noise, a comfortable volume knob, the option of mono or mute, it fits right in. Good quality construction as far as I can tell, so if you need a passive control, this one is worth the money.