Yamaha Powered Studio Monitors

Works nice with Yamaha HS8 Powered Studio Monitors

we use these to connect our Video Projector to our powered studio monitors

I bought a set of Yamaha HS8 powered monitors. They have balanced inputs and I am feeding them from my digital recorder -- the Zoom F8 -- which works as a USB Audio Interface. I would say that a volume control is required with a set of powered monitors. The build quality of the PMC-II is solid and the control is precise and smooth. You have the option to use either balanced or single ended connections. I use balanced and the audio quality is great. Without the controller I get some interference unless I use balanced connections. The Mute button is convenient but a Dim button would have been nice too.

I like a lot, if fits very well under my table and it is almost invisible. I had the Yamaha HS8 Powered monitors for about a year, I thought that were big enough as to render a good bass but now that I have this subwoofer the difference is day and night. I thought that the value is good as well. I mostly do voice-overs and radio commercials.

Wow. Wow. wow. The quality of this DAC is out of this world. I am using this DAC with my Yamaha HS8 powered studio monitor speakers. Before this iFi DAC, I thought I had purchased cheap speakers ($750 for the pair). After installing this DAC, my speakers sound like $7500 speakers. The DAC provides such depth and breadth that you think you are in a real studio with very expensive equipment. even though the front panel has a POWER MATCH and TRUEBASS buttons to enhance the audio, I find the FIXED switch on the back that passes the signal with no enhancement a better option.

As a long time user of KRK and Yamaha studio monitors -,I was blown away by the Sound reproduction of the 8010s! ..These little marvels have now replaced both my Yamaha HS5 and KRK rockit 5”s as my go to mixing monitors for music and film projects .,, could not be happier ..

Me and my son Keith love these Yamaha Studio Monitors. I have a professional Recording Studio and these Studio Monitors are a great addition to my studio.

The Avantone CLA-200 Studio Reference Amplifier is easily the best purchase I made all year. I own a pair of Yamaha NS 10M Studio Monitors and for years I just used random amplifiers to power them. I decided this year to invest in a better quality amplifier to improve the overall sound quality of my Monitors. After weeks of research And reading countless reviews I decided to go with the CLA-200. I must say the shipping was immediate and I received the new amplifier the very next day after ordering. I can't stress how impressed I was with the sound quality the CLA-200 brought to my NS-10's. The clarity and the frequency response was just amazing. I highly recommend the CLA-200 for any and all Yamaha NS10 users. You won't be disappointed!

I bought these stands for my studio's Yamaha HS8 monitors. They are great at holding the monitors in the air, in line with my ears, where I can hear them. They have locking pins in case the pressure knobs should fail. I don't have a problem with them wobbling or tipping because I don't bump into them. That's really the secret- be a reasonable human. After all, you just spent a lot of money on those monitors and stands! Don't run around your studio, don't record groups of small children (I'm talking about you Kidz Bop), make sure your mountain of blow is on the other side of the room, etc.- all the basic safety precautions a normal human would take when using expensive technology. These stands hold up your 8 monitors and do not fall down.

I have powered up my old Tannoy System 8 monitors in my home studio after using various powered speakers the past few years. This little Pyle amp makes them sound as good or better than my old Kenwood that pooped out 10 years ago. They have such good bass that I don't need a sub. I am pleasantly surprised by this inexpensive piece of gear. I even like the the blue light. Go Pyle!