Yamaha Studio Monitors Hs Set Used

Works nice with Yamaha HS8 Powered Studio Monitors

Almost a perfect fit for my Yamaha HS-8s.

As a long time user of KRK and Yamaha studio monitors -,I was blown away by the Sound reproduction of the 8010s! ..These little marvels have now replaced both my Yamaha HS5 and KRK rockit 5”s as my go to mixing monitors for music and film projects .,, could not be happier ..

Me and my son Keith love these Yamaha Studio Monitors. I have a professional Recording Studio and these Studio Monitors are a great addition to my studio.

The Avantone CLA-200 Studio Reference Amplifier is easily the best purchase I made all year. I own a pair of Yamaha NS 10M Studio Monitors and for years I just used random amplifiers to power them. I decided this year to invest in a better quality amplifier to improve the overall sound quality of my Monitors. After weeks of research And reading countless reviews I decided to go with the CLA-200. I must say the shipping was immediate and I received the new amplifier the very next day after ordering. I can't stress how impressed I was with the sound quality the CLA-200 brought to my NS-10's. The clarity and the frequency response was just amazing. I highly recommend the CLA-200 for any and all Yamaha NS10 users. You won't be disappointed!

I bought these stands for my studio's Yamaha HS8 monitors. They are great at holding the monitors in the air, in line with my ears, where I can hear them. They have locking pins in case the pressure knobs should fail. I don't have a problem with them wobbling or tipping because I don't bump into them. That's really the secret- be a reasonable human. After all, you just spent a lot of money on those monitors and stands! Don't run around your studio, don't record groups of small children (I'm talking about you Kidz Bop), make sure your mountain of blow is on the other side of the room, etc.- all the basic safety precautions a normal human would take when using expensive technology. These stands hold up your 8 monitors and do not fall down.

These cables work great on my Yamaha HS 80 M's

I bought a set of Yamaha HS8 powered monitors. They have balanced inputs and I am feeding them from my digital recorder -- the Zoom F8 -- which works as a USB Audio Interface. I would say that a volume control is required with a set of powered monitors. The build quality of the PMC-II is solid and the control is precise and smooth. You have the option to use either balanced or single ended connections. I use balanced and the audio quality is great. Without the controller I get some interference unless I use balanced connections. The Mute button is convenient but a Dim button would have been nice too.

Used for talent on HS student broadcast - works perfect.

Used in a studio setup for a variety of purposes, feeding from cameras to switcher, feeding from switcher to monitors. This cable is wonderfully supple - typical to Canare cables. I especially like the knurled edges and deep reach of the SDI connector - sometimes there's not enough space when the connection is recessed in the equipment - but this cable has an excellent amount of grip.